Quilts

Deb Nichol
Rug made from 40 brown fur skins (8 rows by 5), possibly possum. Skins are sewn by machine, with seams covered with white tape. Rug is backed with cream wool felt, and bordered with beige scalloped felt. There is a braid binding along the outer edge of the skins. No padding. 1640 x 1480mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Jan Tregoweth
Patchwork quilt of cotton hexagon patches grouped in 'flowers', comprising 4 rings of patches around a central hexagon. Prints and plains are used, the colours mainly browns, greens, yellows, dark blue and dark pink. The 'paths' are in a yellow-brown cotton. Cotton backing. The padding is probably an old blanket. The quilt is an irregular shape, and is tied.
2550 x 1870mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm
Joyce Lannin
The centre of the quilt is a small blue 6 pointed star surrounded by a larger blue star. Blue stars also form a border to the quilt. The background material is a multicoloured small floral pattern on white cotton. The quilt is all hand worked over templates. The padding is cotton and the backing is polyester sheeting with a border of stars.
2650 x 2475 mm
Lyn Uppill
Patchwork quilt in crazy pattern, with pieces of silks, corded silks and velvets in prints, plaids and plains. Nearly all pieces are edged with embroidery, and many pieces have embroidered names and motifs. There are a variety of embroidery stitches. The backing is of slub cotton in a plaid pattern in yellow, grey, red and white. No padding. Quilt has a gathered edging of dark red organdy and silk. Names and dates embroidered are: Bert, Milly, Toots, Verdi, Ida, and 1893, 1895, 1894.
1550 x 1420mm
Margery Creek for Eugene Creek
Wholecloth polyester and cotton quilt in deep orange with centre frame of Creek family crest. The crest is machine zig zag appliqued to white background and has a black border. The quilt is machine sewn, hand quilted, has a white backing and a thin black binding on the border. The padding is polyester.
2235 x 1854mm
Flora Noyce
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Gwenneth Miller
Rabbit skin rug hand stitched. Originally had no backing but a fawn felt backing has been added. 1480 x 1180mm
Tasmanian Museum and Art Gallery
Wholecloth cot quilt, reversible, both sides pale pink rayon printed with small bunches of pink roses, blue flowers and green leaves. Outside edge is machine sewn except for opening for filling which is slip stitched. Quilted by hand with large stitches in pink thread along width and length of quilt. The padding is wool.
815 x 570mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
National Trust of Australia (QLD)
Crazy patchwork quilt with mainly patterned pieces in a wide variety of designs and colours. Backing is wholecloth patterned cotton. The quilt is edged with a checked bias binding. Machine construction.
2299 x 1449mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
National Trust of Australia (QLD)
Hexagons appliqued onto sheeting. 5 groups of 6 hexagons in centre of sheet and continuous row of hexagon rosettes around border.
2261mm x 1664mm
Mary Robertson
The suffolk puffs are mainly cotton in a wide variety of colours and plain and patterned materials. The puffs are small squares rather than the more usual circles. The backing is teal satin hand stitched to the top. There is a teal bow at one end. There is no padding.
1570 x 1100mm
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Maria Alexakis
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.
South Australian Museum
Rabbit Skin Cloak. Rectangular pieces stitched together with sinew and later repaired with fishing line.

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