Quilts

Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Ann Kyranis
Traditional Greek quilt. The top is a piece of deep red and gold brocade (in Greek a 'stoffa'). The border and the backing are made from gold brocade woven with a daisy pattern. It is hand quilted in parallel lines.
2150 x 1720mm
Red Cliffs Historical Society
Hexagonal log cabin quilt. Hexagons constructed of strips with half hexagon dark and half light. These hexagons are then joined to form diagonal light and dark stripes. Machine and hand sewn. Materials are wools, printed cottons, velvets, corduroys, rayons, flannelettes, brocades, pique and taffetas. The backing is a single piece of brocatelle (rayon brocade). There is probably a thin layer of padding.
1400 x 1200mm
Dorothy Taylor
Patchwork quilt made of hexagons in printed cottons, colours predominantly red, blue pink, brown and yellow. Handsewn. Attached to a white cotton backing. Cotton padding.
1829 x 1829mm
Greg Davies
Patchwork quilt, log cabin with central patch plus 2 logs. Many different materials from 1950s and 1960s. Machine pieced. The padding is a woollen blanket and the backing is a flannelette sheet. The quilt is tied with yellow cotton at each corner.
2170 x 1880mm
National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.
Name withheld
Quilt top in postage stamp pattern typical of military quilts. 5 x 5 blocks each 280 x 280mm. Colours are predominantly red, black and cream. Thought to have been made using uniform material from the Crimean war
1350 x 1350mm
Tanya Shephard
Patchwork quilt of squares measuring between 190mm and 220mm machined together. Materials include chenille, wool and nylon. There is no padding. The backing is green gabardine
1350 x 148mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Rosemary Blake
Single bed quilt made from sugar bags stitched together covered with a ticking type fabric. This inner layer is then covered with muslin, dyed yellow. It is similar in construction to 80RB but much lighter as the sugar bags are lighter than the heavy jute potato bags.
1520 x 990 mm
Helen Cornish
Patchwork quilt in the Log Cabin pattern, each square 14cm x 14cm, made of used cotton fabrics with a fine wool fabric as the centre square of each. Colours are mainly reds, blues, greens and maroon, and pastels, in prints and plains. Quilt has a wide border of dark blue cotton with mitred corners. The padding is black and white mattress ticking, and the backing is the same dark blue cotton as the border. Machine stitched.
1770 x 1170mm
Powerhouse Museum
Reversible cot quilt, hand pieced, in the log cabin pattern; the blocks measure 150mm square. The patches have been cut from plain and patterned dress, pyjama and men's shirt fabrics. Strong diagonals were created in the overall design through using light and dark colours, often a strong red, to divide the log cabin blocks in half diagonally. The back is made from rectangles of striped men's shirt fabrics in pastel blues, pinks and browns with a large 'flowe' in each corner, each pieced from six hexagon patches around a central seventh hexagon. There is no padding.
[PHM] 1720 x 1150mm
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Diane Kern Hamilton
Dresden plate quilt with pointed pieces set around a white centre. Fabrics are checks, floral patterns and plains of the 1930s. The twenty blocks are sashed with plain mauve fabric which does not meet evenly in some places. The padding is two layers of cotton bedspreads. The backing is open weave rough quality cotton.
1860 x 1550mm.
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Joan McGregor
One side of this quilt is large pieces of check and striped material surrounding a small patterned supper cloth with a border of scrap pieces. The other side is small, floral, check, spotted, striped and plain cotton pieces surrounding a tablecloth. It is machine sewn and is not quilted. The padding is an old woollen blanket.
1825 x 1625mm
National Gallery of Australia
"This is a coverlet of pale blue cotton muslin, highly decorated with appliquéd pieced bands, figures, and embroidery. The edge of the quilt is finished with bands of yellow, white and green cotton attached with ladder stitch.
Down the centre field of the design and 4 poems embroidered in quite crude chain stitch. Each piece of prose is accompanied by an appliquéd illustration. For example a large clock accompanies a poem of time. 'While shepherds watch their flocks at night�.'is illustrated with a beautiful scene of the manger watched by an angel, cows and sheep. The appliqué and embroidery is executed crudely with large stitches in running and overcasting. The quilt is signed, 'M.J.H. aged 84 yrs.1924.' " [NGA] There is no padding or lining. 1640 x 1540mm
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm

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