Quilts

Margaret Wilson
Hand stitched appliqued quilt or banner. Different hand stitching indicates applique was probably done by several people. There is no padding. The backing is calico.
2230 x 2140mm
National Trust of Australia (WA)
Frame quilt of dress cottons, including some glazed cottons. The centre is 4 triangles pieced to make a rectangle. This is surrounded by a plain border, a border of triangles, plain border, triangles border, plain border, border of triangles pieced to form squares, square and triangle border, then rows of squares. The outer border is of glazed floral chintz with a brown background. The backing is cream linen pieced lengthways in 3 sections. There is no padding. It is quilted all over in a large clamshell pattern. The top is covered with netting.
2615 x 2280mm
Margaret Lyons
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
Narryna Heritage Museum
Cotton quilt in 'Wedding Ring' pattern. Background material is calico type in cream and the rings are in pastel colours, yellow, pink, blue and green prints and plains. It is hand pieced and hand quilted and the edges of the quilt are scalloped and finished with a pale pink binding. The backing is cotton and the padding is cotton.
2200 x 1900mm
Arapiles Historical Society Museum
Patchwork quilt, reversible, with log cabin blocks on one side, with central red square in each block. Colours predominantly light greys, browns and pastels, and dark grey and blue. Reverse side is made of squares constructed from 2 triangles, in black, patterned pastels, pale blue and dark red. There is a black border along 2 edges on this side. It is quilted.
2058 x 1829mm
Elsie Shephard
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. It is made in one piece and then doubled over. The materials are mainly wool, worsted, part cream machine made jumper, pink and blue mohair, blue and white spotted flannelette and cream blanket and all are scraps or from worn clothing.
1690 x 1370mm
Ruth Nash Allen
Quilt based on 70mm block. Cottons and rayon's with some reused materials. Machine pieced, hand quilted. Backing is mid blue cotton brought over to the front and machined to form a binding. Padding is probably cotton.
2510 x 1850mm
Irma Whitford
Pieced repeat block, in what the owner calls 'Our Village Green' pattern. Wide variety of patterned and plain materials. Finely quilted. Padding is cotton and the backing is white calico. 2180 x 1890 mm.
Oakey Historical Museum Society Inc
This quilt consists of rows of pieced blocks approximately 280mm square sewn directly on to a foundation square. The design is really a version of 'log cabin' set on the diagonal. The backing squares are made from flour bags including a number stamped in blue ink "The Defiance Milling Company��..Toowoomba NET 3 lbs". Another is stamped in green ink "Parsons Rolled Oats". Two short sides and one long side of the quilt are bound in apricot coloured cotton.
1960 x 1700mm
Kaniva District Historical Society
Wholecloth cot quilt of pink silk with an overall paisley pattern in grey and black. Pink-purple fringe along one edge.
1677 x 1677mm
Gloria Martin
Double sided machine sewn patchwork quilt made from clothing scraps, wool blends, corduroy, velvets. Patterns include checks and tartans and there are many plain colours. Shapes are mainly rectangles and squares.
1524 x 1372mm
Melinda Smith
Wholecloth cover in synthetic rayon. Centre plain, drop slightly gathered, edging border is large saw tooth appliqued pieces in flannelette, striped seersucker, crepe de chine. Materials typical of the 30s through to the 50s. The appliqued triangles are chain stitched in yellow thread which also anchors them to the backing.
2450 x 1940mm
Celia Dolley
Cotton scrap quilt with shapes of diamonds, strip and squares. The quilt has been repaired using machine zig zag in white cotton. There is no padding and the backing is calico.
2175 x 1625mm
Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Margaret Williams
Frame quilt with central square of fabric around which the borders or frames have been added in strips. The fabrics are mostly floral, a heavy weight similar to damask or curtaining. The colours are mainly beige, brown, green and red. The original backing was a red paisly design. A second backing, of red, brown and yellow leaves on white (possibly dating from 1930s), has been added at a later date. Quilt is bound with brown fabric.
2200 x 2000mm
Red Cliffs Historical Society
Quilt with hexagons forming lozenge or honeycomb pattern. Predominantly greens and pinks in brocatelle (rayon brocade). All hand stitched. The backing is lime green rayon. The padding is probably dacron.
1800 x 1630mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has small 'Tumbling Block' pattern. The other side has larger pattern of pieced stars. It is made of silks, some printed, some solid colours mainly blues, greens cream and black. There is no padding.
2100 x 1800mm
N.S.W. Parks and Wildlife Service
Double sided quilt with both sides based on a central frame. One side has centre panel of darks surrounding 4 patch of the same print in different colourways. This is surrounded by borders of rectanglesis small prints, checks and stripes. The outer border is men's suitings. The other side has a centre frame similar to the 'Broken Dushes' pattern surrounded by wide borders in solid colours, paisley and fine checks. There is a dark strip across the top and bottom. It is roughly machine quilted.
1770 x 1380mm
National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm

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