Quilts

Wangaratta Centre Quilters Inc
Irregularly patched from a variety of cotton dress prints, checks, plains and mattress ticking. 1920s and 30s fabrics. Both top and back are similar. Hessian padding. Originally two single quilts, now stitched together.
1850 x 1720mm
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm
Pearl Holland
This is one of two single bed quilts in a pattern the owner calls 'Martha Washington's Flower Garden'. Flowers are in six hexagons in a variety of prints with a plain coloured centre. The background is cream, and the backing is calico. 2500 x 1800 mm.
Gillian Albers
Patchwork quilt made from hexagons in 'Grandmother's Flower Garden' design, in blue and aqua cottons, polyester and flannelette. Quilt is backed. No padding or quilting.
2380 x 2320mm
Effie Kalenderidis
Wholecloth quilt made from pink satin, with similar pink cotton backing. The padding is cotton wadding. It is hand quilted and the pattern is a large central circular motif of a leaf pattern. There is a fan design in each corner and the in-fill pattern is of curved and straight parallel lines. The external border is four parallel lines.
2030 x 2000mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Jeanette McGeoch
Crazy patchwork quilt made from pieces of silk, velvet, silk ribbon and brocade in a variety of patterns and plains, in a range of colours. All patches are edged with embroidery, in blanket, feather, herringbone and other stitch variations. Many patches are embroidered with flowers, butterflies, leaves and initials of family members, and there is some beading. 1901 is embroidered in one corner. Quilt has a wide border of gold velvet. Patches are stitched to a base fabric. Backing is dark green sateen.
1470 x 1060mm
Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm
Mare Carter
Patchwork quilt of pieced repeat blocks in cotton in white, blue, green, orange and red prints, plains and checks. Blocks are set between green sashes with white corner blocks. The pattern is 'Saw Tooth Star' or 'Jacob's Ladder' variation. Backing is of cotton, padding of cotton. Hand sewn and hand quilted.
2058 x 1296mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Annette Gero
Frame quilt or coverlet with centre frame surrounded by floral printed panels. The centre is cotton chintz block printed material in madder colours. It is hand quilted.
2700 x 2700mm
Doris Gould
Fox skin rug made from 28 winter fox skins, with turquoise green felt backing and with green felt scalloped edging. Part of some tails as edging remain. Skins hand pieced together, top sewn to backing by machine. 1550 x 1550mm
Arlene Crane
Cotton patchwork quilt in double wedding ring pattern in pastel prints. Quilted in a design of geometric flowers. Padding is probably cotton wadding, backing is cream calico. 2270 x 1970 mm.
Tasmanian Museum and Art Gallery
Wholecloth cot quilt, reversible, both sides pale pink rayon printed with small bunches of pink roses, blue flowers and green leaves. Outside edge is machine sewn except for opening for filling which is slip stitched. Quilted by hand with large stitches in pink thread along width and length of quilt. The padding is wool.
815 x 570mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
Joan Bradford
Utility quilt with wholecloth top and backing of twill upholstery material. Machine construction. Padding is 2 layers of wool blanket. Stitched through all 4 layers.
1474 x 1093mm
National Trust of Australia (TAS)
Small rectangular bed cover, probably child's or even doll's, made from rectangles of cream linen stitched together with hand sewn french seams. The top surface is decorated with small squares and rectangles of coloured silk, velvet, wool and cotton attached approximately 25mm apart, with 3 stitches in centre of patch to attach to background. Bright pink wool patches stand out.
935 x 635mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm

Pages