Quilts

Muriel Hartmann
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
Kim and Melissa L'Estrange
Fox skin rug of exceptionally fine skins with brushes incorporated into the design. It is backed with brown felt with traditional stamped scalloped edge. 1800 x 1500mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Barbara McCabe
Patchwork quilt made of rectangles of woollen fabrics from dressmaking projects. Pieces have been stitched together in no particular order. Colours are predominantly dark red and light grey, with some green, pink and blue. Fabrics are plain, checks and weaves. No padding or quilring. Backing is yellow curtain fabric.
2200 x 1100mm
Valda Mentjox
Rug made from 12 large kangaroo skins. There are 4 'reds' ,one in each corner and the rest are 'greys'. The backing is green felt with the traditional scalloped edge extending beyond the fur. There is also black rat tail braid outlining the actual rug on the backing. 1850 x 1520mm
Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
La Dona Anick
Red and white cross stitch quilt. Central white panel with red cross stitch embroidery featuring flowers and leaves. Red panels as borders with white embroidery, also flowers and leaves. Machine pieced. Hand quilted in an espalier pattern. There is a fine padding and the backing is homespun. 2200 x 1970mm
Kristine Gray
Double sided square quilt. One side is a crocheted rug. The centre of this is 4 triangles joined and from this coloured bands in crochet radiate out to the border. The other side is randomly pieced scraps of mainly woollen material in checks, plains and tartans. Machine construction.
1600 x 1600mm
Euroa Historical Society
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
Ros Wight
One of a pair of patchwork quilts machine sewn from squares of cottons and silks in pinks, aquas and blues in plain and print materials. Both quilts are similar. The backing is white cotton. There is no padding.
2200 x 1500mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Mare Carter
Patchwork quilt, all cotton including cotton padding. Pattern is based on squares and a cross. Variety of fabrics, plain and patterned. Hand stitched and quilted.
2083 x 1626mm
Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm
Doncaster-Templestowe Historical Society
Patchwork quilt made of hexagons in silks, satins and brocades. Colours are soft, mainly creams and pastels, with some deep pink, yellow, dark grey and bright blue. Quilt is bordered with a wide band of light navy moire or faille. Padded, possibly with a blanket. Backed with cotton twill.
2420 x 1900mm
Red Cliffs Historical Society
Log cabin pattern, each block dark and light strips. 4 blocks joined with dark strips to centre to make larger block. 30 large blocks and 2 sides with half blocks. Each block is machined on to calico. Materials include velvets, corduroys, interlock, taffetas and silver lame. There is a 170mm bottle green border and a single piece of mid brown synthetic for the backing. The padding is probably dacron.
2400 x 2100mm
West Australian Quilters' Ass
Reversible Durham quilt made with nine pieced strips of deep green polished cotton joined together. Very finely hand quilted in an all-over traditional English quilting design. It is padded but the type of padding is unknown. 2220 x 2020mm.
Queen Victoria Museum and Art Gallery
Rug made from skins of black quolls. The skins are dark grey-brown with black areas and each skin has cream spots. The skins are mainly machine stitched together with a few roughly hand sewn. The backing is maroon felt and this extends beyond the top with a scalloped edging. There is yellow ric-rac braid hand sewn on the back seam. 1300 x 885mm

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