Quilt No.733LK - Lily Katakouzinos

Lily Katakouzinos
Owner: 
Lily Katakouzinos
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
GREECE Lemnos
Date: 
1941 - 1970
Description: 
Wholecloth quilt with the top of red satin and the other side of faded red cotton. All hand stitched. The quilting pattern is a five petal flower in the centre of a circle with parallel lines radiating to the border. The padding is raw cotton.
1900 x 1850mm
History: 

The quilt was made by a local quiltmaker in the Greek island of Lemnos in 1961. Lefkothea Kalogeras arranged for the quilt to be made for her daughter Maria who was migrating to Australia. It is now owned by Maria's daughter Lily Katakouzinos. It is not used.

Story: 

"A Paploma from Limnos
Lily is a second-generation Greek Australian and her paploma (quilt) was made on the Greek island of Lemnos, well-known to many Australians for its beautiful natural harbour, Mudros Bay, used to launch the Gallipoli Campaign in 1915. Later, it was also the place where the armistice was signed between Britain and Turkey.
On Lemnos, in 1961, Lily's grandmother Lefkothea Kalogeras arranged for the local quilt-maker (in Greek, a 'paplomatas') to make this quilt for her daughter Maria who was migrating to Australia. The 'paplomatas' had a shop in the island's main town of Myrina, approximately thirty five kilometres from the village of Kaminia where the family lived. Lefkothea took with her the locally grown and woven cotton fabric which forms the quilt backing, then chose the lovely red satin for the main side; the padding is also of locally-grown cotton. She decided on the floral emblem for the centre, to be surrounded by parallel lines. As was the custom in those days, all the stitching was done by hand.
Maria Kalogeras, with this and several other quilts as part of her 'prika' (dowry), arrived in Sydney by plane in 1962. The following year she married Evangelo Katakouzinos, also from Lemnos; they went on to have four children: George, Lily, Ourania and Christo. Maria and Evangelo have worked hard to establish themselves in their new country, and although 'officially' retired, Maria works part-time in an aged-care facility. She recalls her early years in Greece and the traditional pre-wedding women's gatherings (a loose equivalent to our 'kitchen tea') where the bride's 'prika' (dowry) - quilts, blankets, sheets, towels etc together with a range of beautiful handworked pieces, would all be displayed in an 'doulapa anihti' (open wardrobe), which would be decorated with white tulle and satin ribbon. The traditional 'koufeta' (sugar-coated almonds) and rice would be scattered throughout, plus on the specially decorated wedding bed. Special sweets are served and traditional wedding songs are sung for the couple's future happiness. These celebrations are still held in many parts of Greece.
Lily, whose real name is Lefkothea named after this grandmother, has a background in art education and is a practising artist. One of her deep and abiding interests is traditional Greek handcrafts, so her paploma from Lemnos, together with her mother's stories, hold a special significance for her."
[Written by Lula Saunders from interview 29/4/00 for the National Quilt Register]

Lily Katakouzinos
Lily Katakouzinos
A bedroom in the Katakouzinos house in Kaminia, Lemnos
A bedroom in the Katakouzinos house in Kaminia, Lemnos
Maria (second from right) with friend and her parents. 1962
Maria (second from right) with friend and her parents. 1962

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Agnes Pratten
Wholecloth quilt covered front and back with the least worn parts of old curtains. The padding is a carded wool sheet from Ipswich Woollen Mills placed between layers of cheesecloth.
1800 x 1225mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Joyce Wynn
Whole cloth traditional Durham quilt in sateen, pink one side and ivory the other. Elaborately hand quilted. It is padded but the type of padding is unknown. 2030 x 2030mm.