Quilt No.692MM - Margaret Moloney

Margaret Moloney
Owner: 
Margaret Moloney
Location: 
VIC Melbourne
Maker
Maker: 
Elizabeth Wiltshire
Made in
ENGLAND Somerset
Date: 
1851 - 1880
Description: 
Wholecloth quilt of white polished cotton, hand quilted in an elaborate design. The backing is the same material as the top. The type of padding is unknown.
2330 x 206mm
History: 

The quilt was made in Somerset, England in the 1870s by Elizabeth Wiltshire. She was the great grandmother of the present owner and the quilt passed by maternal descent to Constance Humphreys (grandmother of owner), Joyce Fielder (mother), and then to Margaret Moloney the present owner. The quilt is kept on the double bed in her daughter's bedroom which is now used as a guest room.

Story: 

"The Quilt's Journey
This quilt was created by my great grandmother, Elizabeth Wiltshire who was born in Somerset, England in 1854. She was in her early twenties when she made the quilt for her glory box in the 1870s. She was from a well-to-do family and so had plenty of time to spend on making it.
Elizabeth married John Bourke, an Irish electrical engineer and they lived in Northern Ireland. They had three children, Margaret, Constance (my grandma) and Jack. The marriage was not a happy one and Elizabeth left. John's rich Irish family held the children.
Eventually Elizabeth stole them back and proceeded to move all around England, hiding the children in convents while she earned a living as a cook in the 'big' houses, the homes of the wealthy.
In her latter years, Elizabeth lived with my grandparents, Constance and Jack Humphreys in Deal, Kent. My mother and the other grandchildren remembered Elizabeth in various ways. They loved her 'fancy' cooking at Christmas time, but were a little afraid of her austere personality. She paid my Mum threepence to scrub the floor in her upstairs room each Saturday, yet she also helped her to study for her scholarship.
Elizabeth Wiltshire was killed in 1945 during the Second World War. The air raid sirens sounded, Constance, (her daughter, my grandma) was dashing to the stairs to bring Elizabeth down to the bomb shelter, when the bomb made a direct hit on their home. The door under the stairs fell across the passage forming a triangle, trapping Constance and saving her life. All that was found of Elizabeth Wiltshire was her left hand with the wedding ring on her finger.
My parents were married in 1946, after the war ended. They emigrated to Australia in 1951 ('10 pound Poms') with their two daughters, me three years old and my sister, Carol one year old. Mum's parents, Constance and Jack visited us in Australia in 1965 and brought the quilt with them to give to Mum.
Four years ago my Mum was dying of cancer. She gave me the quilt. I treasure it, as I am sure my three daughters will in the future."
[Margaret Moloney, October 1999]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm
Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm
Efthimia Toubakaris
Wholecloth quilt of golden brown cotton satin, the reverse side of pink cotton satin. Central quilting pattern of interlaced curves, within 3 rows of parallel stitching, then a border pattern of an interlaced knot design, the edge finished with 2 rows of parallel quilting. Filling of cotton. 2010 x 1920 mm.
2010 x 1920mm
Maria Alexakis
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.