Quilt No.79AR - Annette Rich

Annette Rich
Owner: 
Annette Rich
Location: 
NSW Central West
Maker
Maker: 
Eliza and Margaret Roebuck
Made in
SHIPBOARD
Date: 
pre 1850
Description: 
Unlined quilt. Central square of floral chintz with rectangular and chevron border making a larger frame that is set within another square-on-point frame edged with 2 toned red leaf pattererned chintz. This quilt is mainly pieced (squares, triangles, lozenges) but the hexagon rosettes are appliqued. Dress and furnishing cottons dating from the early 1800s. Raw edged, unfinished. All hand stitched.
2400 x 2400mm
History: 

The quilt was made by sisters Eliza (Lizzie) (1845-1925) and Margaret Roebuck (1842-1917) probably on a windjammer plying between India and Australia. About 1860 Henrietta Roebuck took her children from Scotland to live with her brother at 'Jondaryn' on the Darling Downs, Queensland. Neither Lizzie nor Margaret married and when Margaret died in 1917 Lizzie moved to Sydney to live with relations and took the quilt with her. The present owner is a descendant of Lizzie and Margaret's sister Henrietta Maria Howe.

Story: 

Sisters Margaret and Eliza (Lizzie) Roebuck, who made the quilt, were born in India of Scottish parents, George Douglas Roebuck and his wife Henrietta (Andrew). Major Roebuck was an officer in the 71st Native Infantry of the British Army. He died in 1846 and is buried in India and is said to have died of a burst aorta from yelling at the troops. It is thought that Hentrietta then returned to Scotland with the children.
About 1860 Henrietta, with some of the children (including the youngest Lizzie and Margaret) went to Australia to live with her brother James Andrew at his property on the Darling Downs Queensland.
Margaret died in Queensland in 1917 and Lizzie went to live in Sydney, taking the quilt with her. The present owner is a direct descendant of Margaret and Lizzie's sister Henrietta Maria Howe.

Related Quilts:

National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Ann Cuthbert
Patchwork quilt of hexagons in pattern known as 'Grandmother's flower garden'. All cotton. Rosettes are set in a white 'path' with the centre and first ring in solid colours and the second ring prints. There is a yellow border and an outer border in pink. It is hand pieced and hand quilted. The padding is cotton and the backing is white cotton with 2 border edges in light and dark blue. These borders were originally part of the top. There is an inscription "Dear daughter from Mother".
2390 x 1880mm
Rhona Dunwoodie
Block pattern consisting of a circle, hexagon and circle within a square. Cotton dressmaking fabrics with a few plain creams. Hand pieced and hand quilted. At some stage has been machine reinforced. Now faded, worn and damaged especially one end. Quilting pattern is four leaf clover inside large cable. The backing is 4 different pink toned fabrics in longitudinal stripes. Cotton batting. 2620 x 2300mm
Beryl Warne
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm
Lyn Uppill
Scrap quilt made of vertical strips of rectangles alternating with narrow strips of pieced triangles. Colours are subdued, blues, pinks, red, browns and black, in small patterns and stripes. Fabrics are suiting, rayon, crepe, gaberdine, taffeta and blazer wool. The padding or middle layer is pieced from hessian and suiting fabric, knitted cotton. and khaki and brown twill (uniform material). The middle layer is then handsewn to the back.
1550 x 870mm