Quilt No.360MS - Margery Smith

Margery Smith
Owner: 
Margery Smith
Location: 
NSW Riverina
Maker
Maker: 
Margery Smith
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
History: 

Made in the late 1960s - early 1970s by Margery Smith of Tumut (NSW), and owned by her.

Story: 

"The quilt was completed on 23/7/1973 when the date was stitched on. The project took about three years using what time I had available.
At that time I had a terminally ill daughter. Each afternoon when the weather was suitable I laid her on a bean bag with her legs in the sun to strengthen them. Whilst I sat talking to her I made the patchwork quilts.
I had bags of scraps from many years of sewing for my daughters and myself. This was a way to utilize them.
First I cut a stiff cardboard template then using it as a pattern I cut hundreds of stiff paper hexagons (I had all my family saving stiff paper, glossy magazines were great.) Next all the material scraps were sorted and pressed. The template was again used to cut each piece to shape leaving a turning all round.
Each piece of material was carefully turned in and tacked to a prepared paper pattern. As all pieces of a material were used they were put into boxes. I had decided to keep to a theme in order to distribute the various materials through the quilts. This stage seemed to take forever. I had worked out approximately how many 'patches' I would need.
So to the more interesting part, and it really did take forever! A centre was chosen usually checked gingham as I had a lot of those, six patterned pieces were hand stitched around each centre. I soon got back to using a thimble as the finger developed a 'hole'.
When these were done all had to be joined and the missing patch inserted, again usually the checked gingham. Removing all the tacking and papers was no small chore but the quilts were taking shape.
After that came the unbleached calico linings, stitch, stitch, stitch, then presto all was done.
I had made a separate 'sham' to cover the pillow for the bedspread, a large cot cover and also a top for a bedroom stool.
Nowadays my daughters look at the quilts and pick out their school uniforms, dresses they wore to birthday parties, socials and other nostalgic occasions. Their sister's frocks too, especially a blue one that matched her eyes. When she had her black curls tied back with a matching ribbon my middle daughter used to say, 'Oh you do look nice when you are all clean and paid for'. That saying came from my Grandmother. Really a patchwork quilt is one way of recording family history."
[Notes from Margery Smith, 1998.]

Margery Smith with grandchild
Margery Smith with grandchild

Related Quilts:

National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Kapunda Historical Society
Patchwork quilt made from cotton fabrics in stripes, small prints, and plains. Centre block is pieced red and white triangles within a blue and white striped frame, with a row above and below of triangles in a flying geese pattern. Two rows of triangles in the flying geese pattern are on either side the full length of the quilt. Quilt is bordered with red cotton. Colours are red, white, pink, blue and yellow. Padding is probably a woollen blanket, the backing is linen. Closely quilted all over.
2180 x 1930mm
National Trust of Australia (NSW)
" Double bed size coverlet made of white cotton 'blue bags' fabric (white cotton squares used to hold a measured amount of blueing agent used to keep linens white during the laundering process). Patches are sewn together in the 'Suffold Puff' style - a circle of fabric is gathered up to make a puff. Patches are joined by a few stitches on four sides. Coverlet is edged with a deep crochet fringe, to a depth of approx. 18cm on all four sides���On lining is written in black ink: 'C.Bleagard Baby Ken'. " [NT NSW]
2570 x 2380mm