Quilt No.360MS - Margery Smith

Margery Smith
Owner: 
Margery Smith
Location: 
NSW Riverina
Maker
Maker: 
Margery Smith
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
History: 

Made in the late 1960s - early 1970s by Margery Smith of Tumut (NSW), and owned by her.

Story: 

"The quilt was completed on 23/7/1973 when the date was stitched on. The project took about three years using what time I had available.
At that time I had a terminally ill daughter. Each afternoon when the weather was suitable I laid her on a bean bag with her legs in the sun to strengthen them. Whilst I sat talking to her I made the patchwork quilts.
I had bags of scraps from many years of sewing for my daughters and myself. This was a way to utilize them.
First I cut a stiff cardboard template then using it as a pattern I cut hundreds of stiff paper hexagons (I had all my family saving stiff paper, glossy magazines were great.) Next all the material scraps were sorted and pressed. The template was again used to cut each piece to shape leaving a turning all round.
Each piece of material was carefully turned in and tacked to a prepared paper pattern. As all pieces of a material were used they were put into boxes. I had decided to keep to a theme in order to distribute the various materials through the quilts. This stage seemed to take forever. I had worked out approximately how many 'patches' I would need.
So to the more interesting part, and it really did take forever! A centre was chosen usually checked gingham as I had a lot of those, six patterned pieces were hand stitched around each centre. I soon got back to using a thimble as the finger developed a 'hole'.
When these were done all had to be joined and the missing patch inserted, again usually the checked gingham. Removing all the tacking and papers was no small chore but the quilts were taking shape.
After that came the unbleached calico linings, stitch, stitch, stitch, then presto all was done.
I had made a separate 'sham' to cover the pillow for the bedspread, a large cot cover and also a top for a bedroom stool.
Nowadays my daughters look at the quilts and pick out their school uniforms, dresses they wore to birthday parties, socials and other nostalgic occasions. Their sister's frocks too, especially a blue one that matched her eyes. When she had her black curls tied back with a matching ribbon my middle daughter used to say, 'Oh you do look nice when you are all clean and paid for'. That saying came from my Grandmother. Really a patchwork quilt is one way of recording family history."
[Notes from Margery Smith, 1998.]

Margery Smith with grandchild
Margery Smith with grandchild

Related Quilts:

Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Elsie Shephard
Double sided patchwork quilt/rug. Mainly squares machined together in strips (8 across). Average square 22 to 24cms. One side has a large piece of dark grey woollen material. The materials for the squares include tweed, mohair,many woollens, tartans and cream blanketing all of which were scraps or from used clothing.
1820 x 1680mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Lora Busellato
Machine pieced cotton quilt, in random design of geometric pieces. Materials used are cotton sheeting, dress fabrics, broderie anglaise, and seersucker. There is no padding, and backing is white curtain lining.
1540 x 1150 mm.
Julie Pearce
Rectangular quilt of print and plain
cottons pieced in squares and rectangles within 2 frames, the inner border or frame of blue/green check material, then 2 rows of squares and rectangles, the outer frame of a grey and red geometric pattern and 2 rows of squares or rectangles. Backing of plain fabric. Machine stitched on a treadle machine.