Quilt No.583SC - Susanne Cody

Owner: 
Susanne Cody
Location: 
NSW South Coast
Maker
Maker: 
Olive May Snow
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Quilt, machine construction using rectangles of mainly woollen materials with some corduroy and mohair. Initially 14 rows and then 2 rows added for extra warmth. 25mm bias cut yellow poplin binding. The padding is an old army blanket and the backing is printed cotton.
1500 x 1093mm
History: 

The quilt was made by Mrs. Olive May Snow (born Birch) in Goulburn NSW in the early 1950s. She gave it to her sister Lorna and it is now owned by Lorna's daughter Susanne Cody. It is not used now.

Story: 

" Olive Birch (married at 45 years) had always worked at the Singer Sewing Machine shop in Auburn St Goulburn. They had a button covering service and when customers came in to have their buttons covered Olive would carefully collect any spare scraps of fabric that were left over.
She then sewed them all together by machine and used one of my father's old army blankets for extra warmth. Upon its completion my father so admired it that Olive gave it to him as a gift.
It was always part of growing up - if we were sick or cold we were snuggled up in it- it was very much used and enjoyed - well washed and hence the patches have shrunk over the years.
Perhaps it was this cheery rug that began my love of and journey into patchwork. My aunty Olive bought my first sewing machine on completion of my HSC in 1967."

[Susanne Cody 6.11.99]

Olive Snow with the quilt 1998
Olive Snow with the quilt 1998

Related Quilts:

National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
The Pioneer Women's Hut
Double sided utility quilt made from machine pieced squares of tailors' samples and men's and boy's suitings. The padding is 5 or 6 layers of pieced used clothing including darned, threadbare socks, part jumpers, blanket pieces etc.
2090 x 1340mm
N.S.W. Parks and Wildlife Service
The top has a segmented circle in the centre surrounded by a border of small rectangles. The circle is featherstitched on to the background. Materials are wools and cottons and it is hand pieced. The other side appears to have been originally men's suiting materials strip pieced. It is now covered with a children's print in light cotton joined in long rectangles. The padding is coarse heavyweight cotton.
1410 x 1080mm
Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm