Quilt No.773PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Amelia Brown
Made in
AUSTRALIA NSW
Date: 
1881 - 1900
Description: 
"Medallion quilt pieced from square, rectangular and triangular pieces from plain and patterned cottons. Central motif is appliqued in red cotton on white background with kangaroo and emu on either side of a shield. Four stars are randomly placed on the white background. There is no padding. The backing is pieced together from different types of white material." [PHM]
2265 x 1975mm
History: 

The quilt was made by Amelia Brown (1817-1905) probably on a property called 'Oakvale' near Binnalong NSW about 1890. It remained in the Brown family until the late 1800s when it was given to a friend Margaret Swann (1871-1963). "The quilt stayed in the Swann family home, Elizabeth Farm, Parramatta until the house was sold in 1968. It then went with the two remaining sisters - Edith and Ruth - to their new home in Dural. When following their deaths the estate was divided up, the quilt was given to their niece Margaret Swann. She sold the quilt in about 1978 to Leigh Taumoefolau who in turn sold it to Hoopers in Melbourne. The Museum acquired it from Hoopers." [PHM]

Story: 

Amelia Brown was "Born in Devon, England, the daughter of James and Mary Parsons, she had married John Brown in 1836 and at the height of the goldrushes came with him and their seven children to Sydney in 1857. One more child, a daughter, was born after their arrival in Australia. The Browns settled on a property called Oakvale, near Binnalong.
A quilt still belonging to descendants of the Brown family - and almost identical in pattern and materials - is said to have been made on the voyage out to Australia. If this was the case, then this quilt may also have been made on the voyage out or shortly thereafter. The form of the coat of arms - with the kangaroo and emu looking backwards over their shoulders - was a popular 'unofficial' coat of arms at the time of the goldrushes and appeared in popular magazines, illustrations and books." [PHM]
Margaret Swann "was the daughter of William and Elizabeth Swann who had lived at Bowning for three years when William Swann was appointed headmaster of the local school in 1877. The Brown children were much older than the Swann children and it is not clear how the two families met. One possibility would be that some of the Brown girls may have helped out in the Swann household. What is known is that they formed a firm friendship and when the Swann family moved to Sydney the Brown girls would come to stay. It is presumably on one of these visits that the quilt was presented to Margaret Swann." [PHM]
"Taken together with the other quilt known to have been made by Amelia Brown, this quilt can be seen as a hopeful tribute made by Amelia Brown as she was embarking on life in her new country. The simple naivety of the central motif has made it an evocative image of Australian women's needlework and one that has been used in numerous publications." [PHM]

Related Quilts:

Ann Cuthbert
Patchwork quilt of hexagons in pattern known as 'Grandmother's flower garden'. All cotton. Rosettes are set in a white 'path' with the centre and first ring in solid colours and the second ring prints. There is a yellow border and an outer border in pink. It is hand pieced and hand quilted. The padding is cotton and the backing is white cotton with 2 border edges in light and dark blue. These borders were originally part of the top. There is an inscription "Dear daughter from Mother".
2390 x 1880mm
The Pioneer Women's Hut
Machine pieced top of squares of part jumpers, most hand knitted. The padding is a blanket. The backing is an old curtain.
1735 x 1350mm
Thelma Lithgow
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm
Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
Annette Gero
Hand pieced frame quilt with centre frame of hexagons and radiating borders of cotton and chintz. There is a heart at each of the 4 corners on the second border. It is hand quilted. There is no padding.
1900 x 1900mm
National Trust of Australia (WA)
Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm