Quilt No.62MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Patchwork quilt. All cotton with cotton filling. Entirely made of hexagons, patterned and plain. 6 hexagons surround a central one. Colours, red, blue, yellow and white. Hnad stitched and hand quilted.
2108 x 1702mm
History: 

Made by Eva Leota Towe in southern California prior to 1935. Mare (Carter) her grand-daughter came to Australia in 1950. Her grandmother died in 1953 and in 1960 "my Mother brought me Grandmother's legacy, her hand-works including the quilts, when she visited Australia". The quilt is now owned by Mare Carter who has 16 of her grandmother's quilts. They were used frequently as family quilts and now occasionally.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground, 1998]

Eva Leota Towe c 1940
Eva Leota Towe c 1940

Related Quilts:

National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm
Busselton Historical Society
The strip quilt is handsewn and quilted. Quilt top has 13 panels or strips of 3 different cotton lawn floral prints. Some fabrics are now wearing. Backing is of plain white cotton. The padding is wool. Quilting features a triple row cable design with flower motifs.
2100 x 1800mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
Margaret McMillan
Cotton log cabin double bed quilt. Each square has 52 pieces (i.e. 13 pieces x 4 to make a square). There are 192 squares so a total of 10.092 pieces. There is probably no padding. The backing is calico with a floral pattern done in running stitch.
2200 x 2200mm
Robert O'Hara Burke Memorial Museum
Miniature crazy quilt either for a baby or a doll. Plain and patterned materials including velvet, satin, sateen and brocade. 4 patches are embroidered and the central patch has a hand painted flower. Each patch is embroidered around the edge with a variation of feather stitch. It has a brown binding and lace edge. The backing is twill cotton.
490 x 390mm