Quilt No.38SM - Regina Murphy

Regina Murphy
Owner: 
Regina Murphy
Location: 
WA Perth
Maker
Maker: 
Regina Murphy
Made in
AUSTRALIA WA
Date: 
1941 - 1970
Description: 
Denim squares approx 9cm (square) machined together and handstitched to backing sheet. Each square is appliqued individually using natural and synthetic (few) materials. Applique both machined and hand stitched. Backing is unbleached calico.
2280 x 1310mm
History: 

Quilt was made by Regina Murphy for her daughter Sarah between 1964, when her daughter was born, and her first birthday in 1965. Later squares were added to each side. The quilt is owned by Sarah Murphy WA.

Story: 

"Sarah's Quilt
My first child Sarah Therese Murphy was born on 10.3.64. It was the 'Hippie Era' a period of flower power motifs and a preponderance of denim fabrics. I had been brought up in Kalgoorlie WA. My own bed was covered with a white 'Marseilles' quilt, & the frilled pillows with a beautifully embroidered pillow sham. My sister and I were forbidden to even sit on our beds - they were only for sleeping - & then only when the quilt and sham were carefully folded and placed over a wooden towel stand.
My greatest pleasure was to visit my friend in the next street, who lived in a very different household. She had a patchwork quilt, not a work of art to be admired, but a colourful, casual cover to enjoy & even to snuggle under on cold winter days. We would lounge on Gail's bed & read books or talk for hours. After my daughter was born I decided I wanted to create that type of ambience for her bedroom. Her bed was an English Ercol, Windsor style made of beech, curved at head & base. This meant that a conventional quilt would not sit as easily as one created to custom fit. What could suit my aim better than the popular denim. I commenced by cutting 4" squares from every unworn garment I could find. Each square was then decorated with applique or embroidery or both. I started with a 'baby' embroidered motif from a greeting card she had received. The quilt includes pieces from hair ribbons, favourite dresses, pieces of lace from her christening dress, & embroidery. The centre was completed for her first birthday when she moved into her own bedroom.
Each 4" square was turned and stitch by machine for strength. The squares were then joined together & finally attached to an unbleached calico sheet. This meant that the quilt could be used & the calico tucked into the matress. Later as Sarah's interests grew squares were added to each side to cover the sheet. The base is curved to cover the contours of the oval matress. It is a folksy quilt which I hope, achieved its original objective.
Sarah is now married & both bed & quilt reside in the 'spare room' of her own home." [Regina Murphy 20.4.97]
"The squares also tell stories - initials of each family member, names of dogs & cats, symbols of Ireland (family homeland), universities attended and pieces of Sarah's wedding clothes. It tells a number of stories & provides many memories." [RM]

Related Quilts:

Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
Patricia Cmielewski
Crazy patchwork quilt made from silk and cotton fabrics, in patterns and plains, in bright colours. Patches are arranged around a central diamond shaped patch in yellow which is bordered with light blue. All seams are covered with featherstitch and herringbone stitch. Patches were stitched onto a calico backing. A recent calico backing ahs been added and dark blue binding attached to the edge. No padding.
1555 x 910mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Barbara McCabe
Patchwork quilt made from rectangles and squares of woollen fabrics from dress making projects. Colours are mainly grey, blue, brown, green, with some red and yellow. Fabrics are plain, cheks and stripes. No padding or quilting. Backing is made of white flannelette sheets. The quilt has been lengthened after it was completed, and the backing sheet has been added to at the same place.
2470 x 1320mm
Nancy Dunlap
Repeat block in wedding ring pattern. All cottons with cream background and mainly pale mauve and green dressmaking prints in wedding rings. Green border and cream calico backing. The padding is cotton. 1800 x 210mm.