Quilt No.38SM - Regina Murphy

Regina Murphy
Owner: 
Regina Murphy
Location: 
WA Perth
Maker
Maker: 
Regina Murphy
Made in
AUSTRALIA WA
Date: 
1941 - 1970
Description: 
Denim squares approx 9cm (square) machined together and handstitched to backing sheet. Each square is appliqued individually using natural and synthetic (few) materials. Applique both machined and hand stitched. Backing is unbleached calico.
2280 x 1310mm
History: 

Quilt was made by Regina Murphy for her daughter Sarah between 1964, when her daughter was born, and her first birthday in 1965. Later squares were added to each side. The quilt is owned by Sarah Murphy WA.

Story: 

"Sarah's Quilt
My first child Sarah Therese Murphy was born on 10.3.64. It was the 'Hippie Era' a period of flower power motifs and a preponderance of denim fabrics. I had been brought up in Kalgoorlie WA. My own bed was covered with a white 'Marseilles' quilt, & the frilled pillows with a beautifully embroidered pillow sham. My sister and I were forbidden to even sit on our beds - they were only for sleeping - & then only when the quilt and sham were carefully folded and placed over a wooden towel stand.
My greatest pleasure was to visit my friend in the next street, who lived in a very different household. She had a patchwork quilt, not a work of art to be admired, but a colourful, casual cover to enjoy & even to snuggle under on cold winter days. We would lounge on Gail's bed & read books or talk for hours. After my daughter was born I decided I wanted to create that type of ambience for her bedroom. Her bed was an English Ercol, Windsor style made of beech, curved at head & base. This meant that a conventional quilt would not sit as easily as one created to custom fit. What could suit my aim better than the popular denim. I commenced by cutting 4" squares from every unworn garment I could find. Each square was then decorated with applique or embroidery or both. I started with a 'baby' embroidered motif from a greeting card she had received. The quilt includes pieces from hair ribbons, favourite dresses, pieces of lace from her christening dress, & embroidery. The centre was completed for her first birthday when she moved into her own bedroom.
Each 4" square was turned and stitch by machine for strength. The squares were then joined together & finally attached to an unbleached calico sheet. This meant that the quilt could be used & the calico tucked into the matress. Later as Sarah's interests grew squares were added to each side to cover the sheet. The base is curved to cover the contours of the oval matress. It is a folksy quilt which I hope, achieved its original objective.
Sarah is now married & both bed & quilt reside in the 'spare room' of her own home." [Regina Murphy 20.4.97]
"The squares also tell stories - initials of each family member, names of dogs & cats, symbols of Ireland (family homeland), universities attended and pieces of Sarah's wedding clothes. It tells a number of stories & provides many memories." [RM]

Related Quilts:

Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm
Barbara McCabe
Patchwork quilt made from squares of cotton fabrics, from curtains, left over from dress making projects, and new fabrics. Colours are bright primaries and some pastels, prints are checks, florals, stripes and plain. Pieces were stitched together without any particular order. No padding or quilting. Backing is a cotton bedspread in turquoise and blue stripes.
2520 x 1600mm
Lyn Uppill
Patchwork quilt of hexagons, handsewn, in print and plain cottons and rayon. Central star group has diamond shaped groups of patches, with smaller flower shapes, an inner border of a star shape in yellow hexagons, and an outer border of hexagons in vertical bands. Colours are mainly blues, reds, greens and yellow, the 'paths' and border are a pink print. The backing is herringbone stitched to the border or sashing, which has mitred corners.
2400 x 2340mm
National Trust of Australia (NSW)
Hand pieced and quilted quilt in silks, wool and cotton dress materials. The centre is a hexagon star in pink and yellow with black points. Most of the body of the quilt is pieced in Tumbling Blocks with an outer border of triangles. The backing is pieced from large rectangles of blue satin, rust-brown moire taffeta and brown-grey silk in a 'rectangle within a rectangle' pattern. The quilting is all over and finely done in yellow thread in a variety of patterns including snails, petalled flowers and hearts.
National Trust of Australia (QLD)
Hexagons appliqued onto sheeting. 5 groups of 6 hexagons in centre of sheet and continuous row of hexagon rosettes around border.
2261mm x 1664mm