Quilt No.989TL - Thelma Lithgow
Owner:
Thelma Lithgow
Location:
SA
Maker
Maker:
Margaret Clucas
Made in
SHIPBOARD England
Patterms
Date:
1881 - 1900
Description:
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm
History:
The quilt top was made by Margaret Clucas in 1882 on the ship 'Potosi' travelling from the Isle of Man to Australia. It was then owned by her daughter, Mona Harvey (born Clucas) and then her grand-daughter Thelma Muriel Mona Lithgow born 1909.
Story:
"Margaret Clucas nee Lewin, born Isle of Man 1834, married John Clucas and migrated to Australia via England, travelling on the cargo passenger ship the 'Potosi' 1882. While travelling on the 'Potosi' Margaret made the quilt top but it was never backed. John and Margaret Clucas were both school teachers and were quickly registered in their profession on arrival in St. Australia, Constantly moving around in difficult conditions occupied all their spare time. Hence the quilt was never completed. The hexagon papers were old letters but they have disintegrated over time." [Yvonne Daniel]
John and Margaret Clucas
Related Quilts:
Patchwork quilt made from rectangles and squares of woollen fabrics from dress making projects. Colours are mainly grey, blue, brown, green, with some red and yellow. Fabrics are plain, cheks and stripes. No padding or quilting. Backing is made of white flannelette sheets. The quilt has been lengthened after it was completed, and the backing sheet has been added to at the same place.
2470 x 1320mm
2470 x 1320mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
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