Quilt No.642CS - Celia Suddull

Celia Suddull
Owner: 
Celia Suddull
Location: 
NSW South East
Maker
Maker: 
Clara Hughes
Made in
ENGLAND & SHIPBOARD
Date: 
1881 - 1900
Description: 
Suffolk puff coverlet, white cotton, hand sewn. Each puff is 55mm. Edging of needle netting lace.
2190 x 1510mm with 120mm wide needle netting lace.
The set includes a pillow sham 900 x 380mm and a nightgown bag 430 x 330mm. Both are edged with needle netting lace.
History: 

This quilt was commenced by Clara Hughes in England and completed on the Orient line steamer the 'Sorata' in 1884. Clara Johnson died in 1955 and the quilt is now with her great grand-daughter Celia Suddull. It is not used.

Story: 

Clara Jemima Hughes (1863-1955) was in service in London and agreed to marry William Johnson who was already in Adelaide. In 1884 Clara paid 10 pound for a ticket to Adelaide on the Orient line 'Sorata', one of the first steamships. It is believed the suffolk puff quilt was completed on the voyage out.
William and Clara were married in 1886 and lived first in Broken Hill and in 1891 or 1892 the family, now including one child, George, moved to Jerilderie. William was a baker and pastrycook by trade but in Jerilderie he worked on a property as a useful and handy man and Clara as a cook and house maid. Three more children were born and all died. William drank heavily and Clara took in borders to make ends meet. A pattern she was to follow for many years.
Of 9 children born to Clara, only 4 survived to adulthood.
In 1902 the family moved to Wagga and the quilt was part of their luggage, still in pristine condition and probably never used. At one stage they owned a baker's shop in the main street but William continued to drink heavily and ownership of the shop appears to have been short lived. Clara continued to take in borders.
In 1911 William was appointed head chef at the Wagga Experiment farm at a salary off 5 pounds a week. He was drinking less and their fortunes seem to have improved.
In 1914 William died from the result of a sulky accident. He was 51. Clara was 53, went to work and continued to take in borders.
Clara Johnson died in 1955 with the quilt still rarely if ever used.
[Compiled from extensive family sources and with the assistance of family members by Wendy Hucker for NQR]

Clara Johnson with Grace, 1904
Clara Johnson with Grace, 1904
Clara Johnson c.1950
Clara Johnson c.1950
One of Clara's knitted rugs
One of Clara's knitted rugs

Related Quilts:

Marian Russell
Patchwork quilt made from squares of wool, cotton, tweed, corduroy, tartan and stretch knit fabrics. Colours are mainly reds, greens, blues, pink and orange, mostly solid colours with some checks, stripes and florals. Padding is an open weave hessian material. Backing is a loosely woven cotton, pieced, buff coloured with a woven red and orange thread. Machine pieced, machine quilted in a large rectangle.
1601 x 915mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
Eileen Dinning
Quilt of over 6000 suffolk puffs (also called yo yos) in a mix of cotton and synthetic materials. The top is hand stitched on to a satin backing.
2413 x 1626mm
The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm