Quilt No.171KHS - Kaniva District Historical Society

Kaniva District Historical Society
Owner: 
Kaniva District Historical Society
Location: 
VIC North West
Maker
Maker: 
Mary Ann Clark
Made in
ENGLAND
Patterms
Patchwork, Mosaic, Hexagon
Date: 
pre 1850
Description: 
Patchwork quilt of hexagons in 'Grandmother's Flower Garden' pattern, consisting of a dark centre hexagon, a row of light patches, then a second row of dark patches in the same colour as the centre. Each group of patches or 'flower' is joined by white paths. Colours are predominantly red, blue, brown and pale or faded colours. Some fading; some dark colour fabrics have deteriorated. Backing. Hand sewn. Border of quilt and backing sewn edge to edge.
2236 x 1829mm
History: 

Made by Mary Ann Clark (1828-1917), later Mrs John William Wake King, about 1845, in England. In 1915 it was given to her grand-daughter Emily King (Mrs Champness), second daughter of Mary Ann's eldest son William Frederick. In 1977 the quilt was donated to the Kaniva District Historical Society by the family of Emily's eldest daughter Irene (Mrs H.L. Williams).

Story: 

Mary Ann Clark came from Spalding, Lincolnshire. On 31 March, 1850, she married John William Wake King, of London, at Trinity Church, Regent Park, London. John was a boot and shoe maker. Mary Ann King took out a prize for book binding at the Paris Exhibition in 1851.
John decided to emigrate to Australia for health reasons and he, Mary Ann and their two children arrived at Port Adelaide on 16 November, 1853, on board the 'Olivia'. John took up work as a shoe maker with a Mr H.M. Jackson of Nairne, and later took over the business. From 1855 to 1857 John was at the Victorian gold giggings, but did not do very well. In 1857 he returned to Port Adelaide, walking back to Nairne, and took up business as an agent and auctioneer.

Related Quilts:

Joyce Lannin
Quilt No.1028JL - Joyce Lannin
Machine stitched quilt made from tailors' samples cut into squares. The colours are mainly greys, browns and fawns. There is no padding and the backing is a grey herringbone heavy woollen material with a white fleck. This is folded back to the front to make a 75mm border and finished with a dark grey braid where it meets the patchwork top. 1525 x 1225mm
Patchwork, Mosaic, Square, Typically Australian, Tailors' samples
The Queensland Women's Historical Assoc.
Quilt No.103QWH - The Queensland Women's Historical Assoc.
Hexagon rosettes of printed and plain cotton in a flower pattern. Incomplete, top layer only.
2439 x 1981mm
Patchwork, Mosaic, Hexagon
Margaret-Anne M Thomas
Quilt No.703MT - Margaret-Anne M Thomas
Cotton quilt hand pieced and hand quilted. Eigth pointed star on a white background. 7 rows of 7 stars with a 70mm border. There is a padding or interlining. The backing is plain off white cotton twill.
2040 x 2030mm
Patchwork, Pieced Repeat Block
National Trust of Australia (WA)
Quilt No.941NTW - National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Patchwork, Mosaic, Hexagon
Meg Orr
Quilt No.395MO - Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
Patchwork, Mosaic, Hexagon
Kay Bruce-Smith
Quilt No.535KBS - Kay Bruce-Smith
Quilt top. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1860 x 1760mm
Patchwork, Frame