Quilt No.171KHS - Kaniva District Historical Society

Kaniva District Historical Society
Owner: 
Kaniva District Historical Society
Location: 
VIC North West
Maker
Maker: 
Mary Ann Clark
Made in
ENGLAND
Date: 
pre 1850
Description: 
Patchwork quilt of hexagons in 'Grandmother's Flower Garden' pattern, consisting of a dark centre hexagon, a row of light patches, then a second row of dark patches in the same colour as the centre. Each group of patches or 'flower' is joined by white paths. Colours are predominantly red, blue, brown and pale or faded colours. Some fading; some dark colour fabrics have deteriorated. Backing. Hand sewn. Border of quilt and backing sewn edge to edge.
2236 x 1829mm
History: 

Made by Mary Ann Clark (1828-1917), later Mrs John William Wake King, about 1845, in England. In 1915 it was given to her grand-daughter Emily King (Mrs Champness), second daughter of Mary Ann's eldest son William Frederick. In 1977 the quilt was donated to the Kaniva District Historical Society by the family of Emily's eldest daughter Irene (Mrs H.L. Williams).

Story: 

Mary Ann Clark came from Spalding, Lincolnshire. On 31 March, 1850, she married John William Wake King, of London, at Trinity Church, Regent Park, London. John was a boot and shoe maker. Mary Ann King took out a prize for book binding at the Paris Exhibition in 1851.
John decided to emigrate to Australia for health reasons and he, Mary Ann and their two children arrived at Port Adelaide on 16 November, 1853, on board the 'Olivia'. John took up work as a shoe maker with a Mr H.M. Jackson of Nairne, and later took over the business. From 1855 to 1857 John was at the Victorian gold giggings, but did not do very well. In 1857 he returned to Port Adelaide, walking back to Nairne, and took up business as an agent and auctioneer.

Related Quilts:

National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Ryder Lundy
"Hexagons pieced over cardboard hand-sewn together. Each rosette was then machine quilted 1/8th to 1/4 inch from edge of rosette in shape of each rosette. Quilt is mainly cottons with a few rayons. Some checks and stripes are used but mainly florals. Has been machine quilted in rosette shape using green on green fabrics, lemon on lemon, orange on orange and red on red." [Ryder Lundy] There is no padding and the backing is gold curtain fabric extended at the end and one side with matching taffeta. 2220 x 1270 mm.
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm
National Trust of Australia (SA)
Patchwork frame quilt made from cotton prints. Quilt centre has four pieced squares set within a star shaped border of square patches, set within a square frame (74cm square) edged with half triangles, then set within a red frame (114cm x 114 cm), diamond shaped or 'on point'. In the 4 triangles are double diamond shapes, then a wide border of squares and 'square within a square' patches with red triangles. Red binding. Padding is probably wool. Backing is a cotton print in browns in a floral paisley. All over quilting. Handsewn.
1880 x 1850mm
Nancy Dunlap
Quilt top in block design based on hexagons in a variety of patterned cotton with a plain pink hexagon in the centre. The hexagons are linked by triangles of pink cotton. Cottons include florals, stripes, checks, tartans and novelty prints. 2080 x 2300mm