Quilt No.171KHS - Kaniva District Historical Society

Kaniva District Historical Society
Owner: 
Kaniva District Historical Society
Location: 
VIC North West
Maker
Maker: 
Mary Ann Clark
Made in
ENGLAND
Date: 
pre 1850
Description: 
Patchwork quilt of hexagons in 'Grandmother's Flower Garden' pattern, consisting of a dark centre hexagon, a row of light patches, then a second row of dark patches in the same colour as the centre. Each group of patches or 'flower' is joined by white paths. Colours are predominantly red, blue, brown and pale or faded colours. Some fading; some dark colour fabrics have deteriorated. Backing. Hand sewn. Border of quilt and backing sewn edge to edge.
2236 x 1829mm
History: 

Made by Mary Ann Clark (1828-1917), later Mrs John William Wake King, about 1845, in England. In 1915 it was given to her grand-daughter Emily King (Mrs Champness), second daughter of Mary Ann's eldest son William Frederick. In 1977 the quilt was donated to the Kaniva District Historical Society by the family of Emily's eldest daughter Irene (Mrs H.L. Williams).

Story: 

Mary Ann Clark came from Spalding, Lincolnshire. On 31 March, 1850, she married John William Wake King, of London, at Trinity Church, Regent Park, London. John was a boot and shoe maker. Mary Ann King took out a prize for book binding at the Paris Exhibition in 1851.
John decided to emigrate to Australia for health reasons and he, Mary Ann and their two children arrived at Port Adelaide on 16 November, 1853, on board the 'Olivia'. John took up work as a shoe maker with a Mr H.M. Jackson of Nairne, and later took over the business. From 1855 to 1857 John was at the Victorian gold giggings, but did not do very well. In 1857 he returned to Port Adelaide, walking back to Nairne, and took up business as an agent and auctioneer.

Related Quilts:

Arlene Crane
Cotton patchwork quilt in double wedding ring pattern in pastel prints. Quilted in a design of geometric flowers. Padding is probably cotton wadding, backing is cream calico. 2270 x 1970 mm.
Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
Doncaster-Templestowe Historical Society
Quilt made of Suffolk Puffs or flattened circles, in different bright colours in cotton and silk. Large single bed size.
Tess Davidson
Hand stitched quilt of suiting materials. Centre rectangle also suiting materials but arranged with a smaller scale, is edged with a cord of red fabric covering string. The outer red border has been renewed by the owner and closely matches the original. The backing is ticking. There is no padding.
2390 x 2110mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Virginia Solomon
Log Cabin quilt featuring centre square and 3 outer borders. Evidence of later repairs and additions by machine and hand sewing. There is white paint on it. The log cabin pieces are sewn on to black netting. There is no padding and the backing is a centre piece of gold damask/sateen and green and black sateen borders.
1728 x 1321mm