Quilt No.962NGA - National Gallery of Australia

Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Frances Baker
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
The front face of this quilt consists of rows of rectangles and squares of multicoloured prints pieced together. The fabrics are cotton and include a few early synthetics such as rayon, and all work is machined. The back is fully lined with an olive green moire synthetic fabric. The lining has been brought around to the front face of the quilt for approx 5cm to provide an edge border. The quilt is a wonderful showcase of the fabrics of the 20's and 30's." [NGA]
The quilt is not padded. 2160 x 1910 mm
History: 

The quilt was made by Frances Baker in Granville NSW. The National Gallery of Australia purchased it from its owner in NSW in 1992.

Story: 

"Mrs. Frances Baker nee Garnett (1879-1958) was born in Yorkshire, Great Britain and died in Granville, New South Wales. Her parents came to Australia in 1883 and, two years later, Frances and her brother arrived to join them. The family settled in Parramatta.
In 1908 Frances married Edward A. Baker of Granville. Rheumatic fever contracted in 1912 left Frances with a severe arthritic condition. Frances continued to sew, using one of the earliest electric sewing machines that she had bought before her marriage and later, had fitted with a knee control. She could handle small pieces of material and thus the patchwork quilts came into being. Frances used the leftovers from various dresses and she made all her quilts by 1938. This work was made in Granville.

Related Quilts:

Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
Julie Pearce
Rectangular quilt of print and plain cottons pieced in squares and rectangles, the centre group of pieces surround a larger piece of pale blue fabric, within a frame or border, of bright pink material, then 3 rows of squares and rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
Celia Dolley
Cotton scrap quilt with shapes of diamonds, strip and squares. The quilt has been repaired using machine zig zag in white cotton. There is no padding and the backing is calico.
2175 x 1625mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.