Quilt No.775PB - Tricia Bowdler

Tricia Bowdler
Owner: 
Tricia Bowdler
Location: 
ACT
Maker
Maker: 
Alice Layden or Phyllis King
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
History: 

The quilt was probably made by Alice Esther Layden and, if not, by her daughter Phyllis (King) in Victoria probably post war.
"The quilt was discovered in a dilapidared old 'back yard' caravan at Langwarrin on the Mornington peninsular by Paul King [grandson or son of the maker] and my sister Wendy Drowley. They were searching through old clothes to save them for an amateur theatre company when the quilt was 'discovered'. ��...luckily my sister knows of my involvement and love of quilts and it was saved. Apparently, a couple of others were thrown out as they had been completely destroyed by the rats and possums! Mind you they had a good 'feed' on my wagga as well. But after careful dry cleaning it has come up beautifully and the holes and nibble are a testimony to a long and useful life."
[Tricia Bowdler 14.12.2000

Story: 

"Alice Esther Layden was born 14 October 1885 in Yorkshire, England and died in Sydney on 18 March 1974, aged 88 years.
Her parents were Sarah Ann Thorpe (an upstairs maid, born 9 April 1868 in Derbyshire) and William Layden (a coal miner, born 16 July 1864, also in Derbyshire).
In 1888 she sailed to Australia with her parents and younger sister, Norah (born 1887) where they settled in a small cottage at Scarborough in Bulli Shire, NSW.
Her parents had eleven more children after arriving in Australia - three sons and eight daughters - William (1899), Alfred (1908),Edward (1912) and Clara (1890), Hannah (1892), Hattie (1894). Annie (1897), Isabel (1901), Emily (1904), Gladys (1905) and Sarah (1910) - to bring the number of offspring to 13����
In 1908 Alice Lester Layden married George Silas Casey (born 7 April 1880), when she was 23 and they lived in a number of Sydney suburbs until they eventually moved to Penshurst, a suburb to the south of Sydney.
They had one daughter when they lived in Moore Park - Phyllis Marjory - who was born 23 February 1910. Although Phyllis was an only child she had four children of her own (Ronald, Paul, Fay and Simon) by Percy James King (born Sydney 1888), who she married in 1946.
In the mid 1950s Phyllis and Percy, together with the three youngest of her four children (Ronald had migrated to Canada by this time), moved to Victoria in a metal caravan in which they lived for a brief period at Chelsea Caravan Park before moving to a 3/4 acre block of land at Langwarrin, three miles east of Frankston. Purchased for 1000 pounds, the land became the eventual home of the family, who lived in a number of outbuildings without running water, electricity or sewerage until the early 1960s. They were pioneers in what was (at the time) bushland, until the outlying areas of Frankston spread to a new suburb, Karingal, and then on to Langwarrin.
Phyllis was widowed in 1964 and in 1974, after her mother's death, she went back to Sydney to settle the estate, returning to Langwarrin with her mother's belongings and furniture. She stored some of the clothing and other items in the old caravan and it was here that the quilt was discovered after Phyllis's death in July 2000.
While living in Melbourne, at a number of places, including George Street, Fitzroy, Phyllis worked as a dress maker in Richmond and Collingwood and eventually dressmaking was her main means of employment at Langwarrin, where she had a large clientele eager to acquire stylish quality clothing.
It is not clear who actually made the quilt, although as it was found in the caravan it is likely that Alice was the maker. However, depending upon its date of creation, it could be that Phyllis produced it."
[Paul R. King (son)]

Related Quilts:

Tongarra Bicentennial Museum
Patchwork cot quilt top made from cotton hexagon patches, featuring a centre rosette with 7 rows of patches around it forming an elongated shape, with rosettes and patches randomly placed on the sides. Quilt has a border of triangles pieced to form squares. Cotton prints with over 50 different patterns. Colours are faded, with red and brown (may be faded green) and mostly pastels. Hand sewn using whip stitch. No padding or backing.
990 x 825mm
Kaniva District Historical Society
Patchwork quilt of hexagons in 'Grandmother's Flower Garden' pattern, consisting of a dark centre hexagon, a row of light patches, then a second row of dark patches in the same colour as the centre. Each group of patches or 'flower' is joined by white paths. Colours are predominantly red, blue, brown and pale or faded colours. Some fading; some dark colour fabrics have deteriorated. Backing. Hand sewn. Border of quilt and backing sewn edge to edge.
2236 x 1829mm
Elsie Roberts
Patchwork quilt has a centre of a square within a square, with rows of scraps added around it. The scraps are mainly cotton shirting fabrics and are cut in different sizes and shapes. The two long sides have a narrow red edging folded from the back. The other two sides have been 'bagged'. Filling is an unusual weave thought to be wool. Backing is a pink, red and beige floral cotton.
2080 x 1650mm
Jillian Towers
Hand pieced patchwork quilt with blue and black checkerboard central frame surrounded by 4 borders of irregular sized rectangles. Mainly dress materials with possibly some furnishing material. It is not quilted or tied. The backing is a large rectangular red check table cloth with 3 borders of irregular shaped pieces down 2 sides and 1 border down 2 sides. There is no padding.
1860 x 1730mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has small 'Tumbling Block' pattern. The other side has larger pattern of pieced stars. It is made of silks, some printed, some solid colours mainly blues, greens cream and black. There is no padding.
2100 x 1800mm
Lurline Lydiard
Unfinished crazy patchwork quilt. Materials are mainly silk, velvet, woven ribbons, woven brocades. Hand embroidery using many different stitches also machine embroidery eg frog. Some individual patches have names, initials, dates probably relating to family members. There are also place names several of which may refer to Australia. Apart from the embroidery on individual patches there are overlaid a number of floral displays across parts of the quilt. Backing is flannelette with selvedges of blue and pink. 1300 x 1300mm