Quilt No.958NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Convict Women
Made in
SHIPBOARD England
Patterms
Frame, Motifs or Names, Patchwork, Typically Australian
Date: 
pre 1850
Description: 
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth...
History: 

"Convict women made the quilt en route to Australia, in 1841, on board the Rajah. The ship left Woolwich on 5th April and arrived in Hobart 19th July �.. with 179 women prisoners. There were possibly twenty-nine convict women on board the ship who worked the quilt. Extensive information is held at the NGA on the details of the voyage and the women who were transported to Australia upon the Rajah." [NGA]
"Little is known of the past owners of the quilt. It is believed that the quilt was presented to a government official soon after the Rajah's arrival. In 1987 the quilt was discovered in a private collection in Scotland. In 1989 it was purchased and donated to the National Gallery of Australia by Les Hollings and the Australian Textile Fund" [NGA]

Story: 

"The fabrication of the Rajah quilt was organised by prison reformer Elizabeth Fry and the 'British Ladies Society for the Reformation of Female Prisoners', who were all members of the Quaker religious order. A woman listed as a free passenger of the Rajah, Miss Kezia Hayter is conjectured to have been the supervisor of the creation of the quilt and the needleworker of the most skill in its fabrication; she probably did the inscription panel." [NGA]
"One of the border bands carries an inscription in very fine cross stitch (18 stitches/cm). The inscription reads:
TO THE LADIES Of the Convict ship committee This quilt worked by the Convict of the ship Rajah during their voyage to Van Diemans Land is presented as a testimony of the gratitude with which they remember their exertions for their welfare while in England and during their passage and also of proof that they have not neglected the Ladies kind admonitions of being industrious * June * 1841 *" [NGA]

Related Quilts:

Glenda Wilkinson
Quilt No.473GW - Glenda Wilkinson
Quilt consisting of 30 blocks 360 x 360mm each (5 x 6). Each block consists of squares and rectangles arranged diagonally and edged with triangles. Each block is made from 2 or 3 different cotton materials, different colours but mainly pastels. It has not been quilted but tied with pink wool with 5 ties per block. Machine sewn with a folded and machine stitched edge. Padding appears to be coarse open weave cotton. The backing is printed flannelette.
2210 x 1850mm
Patchwork, Pieced Repeat Block
Hazel Jarmyn
Quilt No.284HJ - Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Patchwork, Mosaic, Hexagon
West Tamar Historical Committee
Quilt No.505WTH - West Tamar Historical Committee
Wholecloth quilt with both sides of floral cotton. The padding is thought to be hessian bags.
2060 x 1300mm
Wholecloth, Domestic Wagga, Utilitarian, Typically Australian
Valinda Gale
Quilt No.161VG - Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Patchwork, Mosaic, Square
Queen Victoria Museum and Art Gallery
Quilt No.806QVM - Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
Patchwork, Frame
Catherine Ringwood
Quilt No.482CR - Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
Patchwork, Mosaic, Square