Quilt No.1042JB - Joan Berger
Description:
Hand sewn frame quilt featuring appliqué. There is a centre square surrounded by two wide borders. The design consists of a large basket in each corner of the square with leaves and buds scattered at random. The 2 borders have flowers and leaves and the outer wide border has a small basket in each side. Colours are pale and strong pinks, blues shading to indigo, browns-beiges and dusty red. The centres of the flowers are all reverse appliqué. There are signs that there has been a backing but it is now one layer. 2700 x 2700 mm.
History:
The quilt was made in England almost certainly by Anne Elizabeth Hirst, known as 'Granny Hirst'. She came to Western Australia in the 1920s and died in 1928 aged 71. The quilt passed to Rosa Hirst her daughter and then to the present owner Joan Berger, grand-daughter of the maker. It is not used.
Story:
Granny' Hirst was born in England and lived in Scarborough. She joined her son at Boyup Brook WA in the early 20s. Mrs. Hirst enjoyed various forms of sewing and craft including smocking, cross stitch and crochet. She made a crochet cover for a cabin truck.
Anne Elizabeth Hirst (Granny Hirst)c.1900
Related Quilts:
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1524 x 1169mm
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Cotton quilt , octagons of printed floral joined with squares of printed and plain. Yellow floral border. Cotton backing with very intrictae pattern in machine stitching.
2540 x 2490mm
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"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Quilt made with a rectangular centre panel of cotton fabric printed with red poppies and black flowers in a japanese style. The panel is surrounded by a wide black satin border. The backing is of black cotton, covering a previous backing of green floral cotton fabric. The padding is feathers.
1700 x 1370mm
1700 x 1370mm
Patchwork top with a centre frame of a mauve cross outlined in black within a square bordered with pink. The rest of the top is rectangles and squares in a wide variety of materials. There is no padding. The backing is brown, possibly curtain material.
1910 x 1480mm
1910 x 1480mm
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm