Quilt No.1056PJN - Peter and Jan Newman

Peter and Jan Newman
Owner: 
Peter and Jan Newman
Location: 
WA Perth
Maker
Maker: 
Dulcie Alma Tobin
Made in
AUSTRALIA WA
Date: 
1941 - 1970
Description: 
Suffolk Puff quilt with puffs mainly in patterned cotton pieces saved from 60 years of household sewing. Puffs are formed into rosettes and the holes are on the top making a decorative feature. It is hand sewn.
2700 x 2400mm.
History: 

The quilt was made by Dulcie Alma Tobin at Mount Lawley WA in the early 1970s using scraps of material saved from the 1920s to 1970. Dulcie had the quilt until she died in 1988 and it then passed to her grand-daughter Jan Newman. It is still used and is Jan and Peter Newman's summer quilt.

Story: 

"Dulcie Alma Tobin: (born in Northam, 1897), saved all the material 'leftovers' from 60 years of household sewing and when she was in her mid seventies, began to stitch them into this quilt.
She was assisted by family - husband Jack threaded all the needles (80 at a time, stuck in a pincushion to keep her going), sister Beatty and daughter Dulcie helping to cut and iron the patches. All the sewing and arranging was done by Dulcie Tobin, despite rapidly failing eyesight. She was 84 years old when it was completed, and so they were able to use it on their bed for a few years before Jack died (1986) and Dulcie moved to the Braille Nursing Home. She died in 1988, shortly after handing the quilt on to her granddaughter Janice Newman." [Jan Newman]

Dulcie and Jack Tobin, 1974, their diamond wedding anniversary
Dulcie and Jack Tobin, 1974, their diamond wedding anniversary
The family home at Mt. Lawley where the quilt was made.
The family home at Mt. Lawley where the quilt was made.

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
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