Quilt No.1093RD - Rhona Dunwoodie

Rhona Dunwoodie
Owner: 
Rhona Dunwoodie
Location: 
WA Metro
Maker
Maker: 
Unknown
Made in
ENGLAND
Date: 
1881 - 1900
Description: 
Block pattern consisting of a circle, hexagon and circle within a square. Cotton dressmaking fabrics with a few plain creams. Hand pieced and hand quilted. At some stage has been machine reinforced. Now faded, worn and damaged especially one end. Quilting pattern is four leaf clover inside large cable. The backing is 4 different pink toned fabrics in longitudinal stripes. Cotton batting. 2620 x 2300mm
History: 

The maker is unknown but it was made in the north of England in the Durham area and was owned by the present owner's mother. It was brought to Perth WA in 1992. It is not used now.

Story: 

"This quilt unfortunately was not appreciated. During the time a prize bull was sick it was removed from my brother's bed to keep it warm until the vet arrived. At that stage it was in perfect condition. This was at Myton House Farm Ingleby, Barwick. At this stage it was still in perfect condition (early 1951). 20 years later it was used as packing when the farm was transferred to Northallerton Yorkshire. It was then transported to Perth Scotland with some cattle. From Perth Scotland it was brought to Perth Western Australia in 1992." [Rhona Dunwoodie WA]

Rhona Dunwoodie with her mother's quilt.
Rhona Dunwoodie with her mother's quilt.

Related Quilts:

Annette Gero
Hand pieced log cabin quilt in silks, satins and velvets. There is a silk backing machined on, possiby a later addition. The quilt has over 5000 pieced.
1820 x 1680mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm