Quilt No.1115KJ - Kay Jones

Kay Jones
Owner: 
Kay Jones
Location: 
WA
Maker
Maker: 
Alice Attridge
Made in
ENGLAND
Date: 
1881 - 1900
Description: 
Quilt top with English piecing in a star in polygon pattern. English and French cotton fabrics in a wide variety of patterns and plains constructed over papers with the tacking still in tact. Papers are mainly part envelopes some with stamps and post dated 1898. 2200 x 1800mm
History: 

The quilt top was possibly made by Alice Attridge in Essex. Alice died in 1918. It then passed to Alice's daughter Florrie Clayton and then to Alice's grand-daughter Shirley Gibb and is now owned by Kay Jones the maker's great grand-daughter. It was brought to Australia in 1976.

Story: 

"Not much is known about the quilt. Alice died in 1918 when my mother, Florrie Clayton, Alice's daughter was 14. My mother obviously kept the quilt as a memento of her mother and it stayed in a cupboard until we brought it to Australia in 1976 when again it was put in a cupboard in, horror of horrors, a plastic bag. Then I gave it to my daughter Kay Jones and its history came to life." [Shirley and Brian Gibb 20.8.02]

Shirley and Brian Gibb with Alice's quilt top.
Shirley and Brian Gibb with Alice's quilt top.

Related Quilts:

National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
Barbara McCabe
Patchwork quilt made from squares of cotton fabrics, from curtains, left over from dress making projects, and new fabrics. Colours are bright primaries and some pastels, prints are checks, florals, stripes and plain. Pieces were stitched together without any particular order. No padding or quilting. Backing is a cotton bedspread in turquoise and blue stripes.
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June Brown
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Lyn Uppill
Patchwork quilt of hexagons, handsewn, in print and plain cottons and rayon. Central star group has diamond shaped groups of patches, with smaller flower shapes, an inner border of a star shape in yellow hexagons, and an outer border of hexagons in vertical bands. Colours are mainly blues, reds, greens and yellow, the 'paths' and border are a pink print. The backing is herringbone stitched to the border or sashing, which has mitred corners.
2400 x 2340mm
Alison Barlow
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