Quilt No.127MOV - Museum of Victoria

Owner: 
Museum of Victoria
Location: 
VIC Melbourne
Maker
Maker: 
Elizabeth Hawkey
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Hand pieced quilt with geometric repeat pattern on both sides. One side has a wide red border and geometric piecing in red, blue and pale coloured printed cotton fabric. The other side has a similar geometric pattern but is worked in paler fabrics in pink, brown and pale blue prints. Pieced sides attached to cream woollen blanket [filling] with parrallel rows of machine stitching.
2160 x 2160mm
History: 

Made by Elizabeth Hawkey in Clunes, Victoria. The quilt remained in the Hawkey family and was owned by Mrs Nancy Vibert, great grand-daughter of Elizabeth Hawkey. Mrs Vibert gave the quilt to Beth Chamberlain of the Goulburn Valley Quilters Group, Shepperton, in 1988. The Group donated the quilt to the Museum of Victoria in 1992.

Story: 

Elizabeth Hawkey was born in Cornwall in 1829 and died in Clunes (Vic) in 1909. She married Simeon Hawkey in Cornwall in 1850. Elizabeth came to Australia with four children on the 'Royal Standard' on 27th September 1866 and arrived on 17th December 1866. Simeon was already in Australia.
Simeon and Elizabeth had a store in Clunes and it is here she made the quilt.
"The quilt was the property of Mrs Nancy Vibert of Shepparton, great grand-daughter of Elizabeth Hawkey. Mrs Vibert recalls sleeping under the quilt as a child, as did her mother, it was well loved and used. However Mrs Vibert felt it had reached the end of its useful life and was preparing to 'throw it out' when her grand-daughter protested and said she thought it was of historical interest and 'surely someone would want it'! Mrs Vibert contacted Beth Chamberlain of the Goulburn Valley Quilters Group and eventually gave her the quilt.
Beth took the quilt to a meeting of the G.V.Q.G towards the end of 1988 and some of the members took it to a meeting of the Australian Quilters assn in Melbourne. Everyone thought it was a wonderful old quilt but nobody quite knew what to do about it.
In 'Quilts Down Under' Beth read about the conservation of the Elizabeth MacArthur quilt and discovered that the conservator, Glennda Susan Marsh, was now living in Yarrawonga. She visited Glennda with the quilt and subsequently received the � report.
Shortly afterwards Beth arranged for the qult to be seen by Elizabeth Willis, Curator, Social History, Museum of Victoria at a seminar in Benalla. Elizabeth wrote to say that it was a most interesting piece and well worthy of conservation.
The information was conveyed to the Goulburn Valley Quilters Group and several members indicated that they would like to take part in its conservation. It was decided to ask Glennda to join us � to advise us on how best to go about the conservation. ���.
After an initial meeting to plan our 'attack' and subsequent decisions were made, work really began on 4th Sept. People were able to come and go as they pleased bearing in mind Glennda-Susan's advice that an hour at a time was possibly long enough to work on it, as it was very painstaking. Fine long beading needles were used and very fine synthetic thread. Every tiny piece of worn fabric was carefully stitched down on to the blanket. Much of the blanket had to be darned before the pieces could be stitched down and this darning was done by Beth using unravelled threads of an old blanket that had been her mothers.
The quilt conservation was finally completed in December, 1990.
On Australia Day 1991 it was displayed on a bed in the Shepparton Museum, for a special Australia day Ceremony. During the year it was displayed at various quilting events including our own Exhibition in November.
We would have liked the quilt to stay in Shepparton but realized our Museum did not have the necessary facilities to store such a precious piece we were overjoyed when it was accepted by the Museum of Victoria.
[Extract from notes supplied by Museum of Victoria. Original source, The Goulburn Valley Quilters]

Related Quilts:

Jillian Towers
Hand pieced patchwork quilt with 10 diamonds consisting of hexagons with white and black rows as edging. Materials include furnishing and dress materials and a type of linen. It is not quilted or tied. The backing is a small floral print in flannelette.
2180 x 1830mm
Fran Williams
Frame quilt with the centre frame featuring stars. These are English pieced and then appliqued on to the background using straight stitch on the machine. Borders are squares, rectangles and truangles. Mainly cottons. There is no padding. The backing is an old white bedspread similar to a Marcella.
1900 x 1930mm
National Pioneer Women's Hall of Fame
Patchwork top made in the Log Cabin pattern in cotton fabrics, 10 x 10 squares. Hand sewn. Most fabrics are patterned, colours in darks and lights include blues, red and pink, greys, browns. The wide border is made from 3 rows of blunt ended triangles (tumbler), the edge is bound with a narrow strip of patterned grey and white fabric. Each corner of the border has 3 chequered squares set on the diagonal. Hand sewn, the binding is machine sewn. No padding or backing.
2360 x 2340mm
National Trust of Australia (NSW)
Quilt in frame style patchwork with applique and broderie Perse applique in printed cottons and linens with silk embroidery. The centre frame has an octagonal shape of floral printed material appliqued on to cream linen surrounded by pieced and appliqued triangles and sashing of printed cotton. Above the frame is embroidered in dull gold silk in cross stitch 'Mary Moxey 1818 Emma Tremlett Born Decr 16th 1837'. Outer borders are pieced and appliqued diamonds and hexagons separated by printed sashing. The quilt is backed with cream linen.
2405 x 2373mm
National Trust of Australia (TAS)
Patchwork quilt of cotton hexagons in a random mix of colours and prints, the predominant colours being blue, red, green, light yellow and pastels. Patches hand sewn. There is no padding and the backing is a grey wool blanket. The top is machine stitched around the edge to the blanket.
1645 x 1060mm
Leila Craig
Patchwork quilt of hexagon patches in a variety of colours and fabrics, including cottons, wool, lace, nylon. Edging is of yellow cotton. It is backed but there is no filling or padding.
2470 x 2100mm