Quilt No.127MOV - Museum of Victoria

Owner: 
Museum of Victoria
Location: 
VIC Melbourne
Maker
Maker: 
Elizabeth Hawkey
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Hand pieced quilt with geometric repeat pattern on both sides. One side has a wide red border and geometric piecing in red, blue and pale coloured printed cotton fabric. The other side has a similar geometric pattern but is worked in paler fabrics in pink, brown and pale blue prints. Pieced sides attached to cream woollen blanket [filling] with parrallel rows of machine stitching.
2160 x 2160mm
History: 

Made by Elizabeth Hawkey in Clunes, Victoria. The quilt remained in the Hawkey family and was owned by Mrs Nancy Vibert, great grand-daughter of Elizabeth Hawkey. Mrs Vibert gave the quilt to Beth Chamberlain of the Goulburn Valley Quilters Group, Shepperton, in 1988. The Group donated the quilt to the Museum of Victoria in 1992.

Story: 

Elizabeth Hawkey was born in Cornwall in 1829 and died in Clunes (Vic) in 1909. She married Simeon Hawkey in Cornwall in 1850. Elizabeth came to Australia with four children on the 'Royal Standard' on 27th September 1866 and arrived on 17th December 1866. Simeon was already in Australia.
Simeon and Elizabeth had a store in Clunes and it is here she made the quilt.
"The quilt was the property of Mrs Nancy Vibert of Shepparton, great grand-daughter of Elizabeth Hawkey. Mrs Vibert recalls sleeping under the quilt as a child, as did her mother, it was well loved and used. However Mrs Vibert felt it had reached the end of its useful life and was preparing to 'throw it out' when her grand-daughter protested and said she thought it was of historical interest and 'surely someone would want it'! Mrs Vibert contacted Beth Chamberlain of the Goulburn Valley Quilters Group and eventually gave her the quilt.
Beth took the quilt to a meeting of the G.V.Q.G towards the end of 1988 and some of the members took it to a meeting of the Australian Quilters assn in Melbourne. Everyone thought it was a wonderful old quilt but nobody quite knew what to do about it.
In 'Quilts Down Under' Beth read about the conservation of the Elizabeth MacArthur quilt and discovered that the conservator, Glennda Susan Marsh, was now living in Yarrawonga. She visited Glennda with the quilt and subsequently received the � report.
Shortly afterwards Beth arranged for the qult to be seen by Elizabeth Willis, Curator, Social History, Museum of Victoria at a seminar in Benalla. Elizabeth wrote to say that it was a most interesting piece and well worthy of conservation.
The information was conveyed to the Goulburn Valley Quilters Group and several members indicated that they would like to take part in its conservation. It was decided to ask Glennda to join us � to advise us on how best to go about the conservation. ���.
After an initial meeting to plan our 'attack' and subsequent decisions were made, work really began on 4th Sept. People were able to come and go as they pleased bearing in mind Glennda-Susan's advice that an hour at a time was possibly long enough to work on it, as it was very painstaking. Fine long beading needles were used and very fine synthetic thread. Every tiny piece of worn fabric was carefully stitched down on to the blanket. Much of the blanket had to be darned before the pieces could be stitched down and this darning was done by Beth using unravelled threads of an old blanket that had been her mothers.
The quilt conservation was finally completed in December, 1990.
On Australia Day 1991 it was displayed on a bed in the Shepparton Museum, for a special Australia day Ceremony. During the year it was displayed at various quilting events including our own Exhibition in November.
We would have liked the quilt to stay in Shepparton but realized our Museum did not have the necessary facilities to store such a precious piece we were overjoyed when it was accepted by the Museum of Victoria.
[Extract from notes supplied by Museum of Victoria. Original source, The Goulburn Valley Quilters]

Related Quilts:

Margery Smith
Patchwork cot quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. No padding. Backing of unbleached calico. Hand sewn.
1524 x 1169mm
The Queensland Women's Historical Assoc.
Cotton quilt , octagons of printed floral joined with squares of printed and plain. Yellow floral border. Cotton backing with very intrictae pattern in machine stitching.
2540 x 2490mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from diamond patches in a variety of cotton materials set in a 'tumbling block' pattern. Patterns include geometrics, stripes, a 'Kate Greenway' print and colours are largely soft pastels, dark browns, with some reds and blues. The quilt has been cut down and a later border added. There is no padding and the backing is cream cotton.
2279 x 2000mm
Art Gallery of South Australia
Patchwork quilt in the Tumbling Block pattern in light and dark silks in bright colours. On both sides and at the bottom is a wide border in Tumbling Blocks, the pattern vertical at the sides and forming a triangle centre bottom, with an edge on both sides of two black bands with pieced diamonds between. Made for a poster bed. Hand sewn.
1790 x 1750mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm