Quilt No.187JL - Joy Lane

Owner: 
Joy Lane
Location: 
VIC North East
Maker
Maker: 
Janet Paterson
Made in
AUSTRALIA VIC
Date: 
Unknown
Description: 
Quilt in crazy patchwork, in velvet, silk and cotton, decorated on seams and patches with embroidery. Padded with flannelette, and backed with damask. Quilt has an olive green frill around the edge.
190 x 1500mm
History: 

Believed to be made by Janet Paterson (born Gerard) of Wedderburn (Vic). Owned by Grace Campbell (grand-daughter) then by Grace's daughter Joy Lane.

Story: 

"I first saw a picture of this work in the book 'Patchwork in Austraslia' by Margaret Rolf.It said it was done byJanet Paterson of Wedderburn. I looked up the family tree & found that my Great Grandmother was of the same name & lived in Wedderburn. She was Janet Gerard & married James Paterson in April 1853 & she died in March 1922.
There is another quilt I believe done by the same lady it belongs to the Brook family in Euroa." [Joy Lane 3.12.96]

Related Quilts:

Margaret-Anne M Thomas
Cotton quilt hand pieced and hand quilted. Eigth pointed star on a white background. 7 rows of 7 stars with a 70mm border. There is a padding or interlining. The backing is plain off white cotton twill.
2040 x 2030mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
The Queensland Women's Historical Assoc.
Hexagon rosettes of printed and plain cotton in a flower pattern. Incomplete, top layer only.
2439 x 1981mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]