Quilt No.21KA - Kathy Allam

Kathy Allam
Owner: 
Kathy Allam
Location: 
WA Perth
Maker
Maker: 
Mrs. Pritchard
Made in
AUSTRALIA
Date: 
1921 - 1940
Description: 
"A crazy quilt, but even more crazy because each piece of fabric is stuffed with cotton wool. "[Kathy Allam] The quilt has cotton backing, and the seams are embroidered with a decorative feather stitch. Fabrics are plains and prints, most of the prints are florals. The main colours are yellows, blues, pinks, soft greens and dark browns and black, with a light blue/green binding and edge.
History: 

The quilt was made and owned by Mrs Pritchard, and is now owned by her grand-daughter, Kathy Allam [WA]. The quilt is now a wall-hanging.

Story: 

"The fabrics were collected by my mother and auntie who asked for samples of fabric for their mother. Fabric was scarce and expensive due to the Depression, so each little slither was treasured. Satins, silks, velveteens. Each piece was tacked in place but stuffed before completely tacked and then the decorative stitching was completed."
"My grandmother is now 97 and has been working on a similar quilt over the years, but in this quilt she has been including fabrics that have special meaning to us - the fabric my husband bought for me in the US (before he was my husband)."
[Kathy Allam 22.4.98]

Related Quilts:

National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
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Rozanne Andrew
Patchwork crazy quilt of late 40s and early 50s. Pieces are from curtains, tablecloth,other kitchen type fabrics in cotton, seersucker and linen. Colours are mainly reds, greens, blues, and pastels, in prints and plain. Herringbone stitch is worked around the edge of each patch. No filling. The backing is calico with one edge in a piece of coloured cotton from the front; the calico was a little small for the top.
2020 x 1400mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
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N.S.W. Parks and Wildlife Service
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