Quilt No.225NTA - National Trust of Australia (SA)

National Trust of Australia (SA)
Owner: 
National Trust of Australia (SA)
Location: 
SA Country
Maker
Maker: 
Emily Augusta Kingdon
Made in
SHIPBOARD England
Date: 
1851 - 1880
Description: 
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.
History: 

Believed to have been made by Emily Augusta Kingdon on the voyage to South Australia after her marriage in England to Young Bingham Hutchinson in 1852. Used by the Hutchinson Family. Acquired by the National Trust of Australia (South Australia), the Goolwa Museum, c.1970.

Story: 

"Mr Young Bingham Hutchinson came to South Australia in 1836 aboard the ship Buffalo. Mr Hutchinson was involved in exploration in the area south of Adelaide in 1837 in company with Strangways and others.
In 1852 he returned to England and married Augusta Emily Kingdon and returned to South Australia.
It is believed that on this journey Mrs Hutchinson made the quilt that some years ago was given by her family into the care of the Goolwa Museum.
While the quilt has been in the museum for many years it has not been displayed in ideal conditions.
Recently the Quilters Guild donated a quilt to the museum to be raffled to raise funds for the conservation and display of the Hutchinson quilt. The proceeds of this raffle along with further fund raising as well as a State Government grant of $450 presented by Premier Dean Brown last Friday to Museum Chairman Frank Tuckwell has amounted to $1200, the complete quilt conservation cost.
The quilt conservation/display project was undertaken by Yilki Picture Framers in consultation with Artlabs Australia in Adelaide and the result shows this work of art in all its beauty. �"
[From Southern Argus 15/2/96]

Related Quilts:

Margery Smith
Patchwork cot quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. No padding. Backing of unbleached calico. Hand sewn.
1524 x 1169mm
Ryder Lundy
"Hexagons pieced over cardboard hand-sewn together. Each rosette was then machine quilted 1/8th to 1/4 inch from edge of rosette in shape of each rosette. Quilt is mainly cottons with a few rayons. Some checks and stripes are used but mainly florals. Has been machine quilted in rosette shape using green on green fabrics, lemon on lemon, orange on orange and red on red." [Ryder Lundy] There is no padding and the backing is gold curtain fabric extended at the end and one side with matching taffeta. 2220 x 1270 mm.
The Queensland Women's Historical Assoc.
Cotton quilt , octagons of printed floral joined with squares of printed and plain. Yellow floral border. Cotton backing with very intrictae pattern in machine stitching.
2540 x 2490mm
N.S.W. Parks and Wildlife Service
Double sided square quilt mainly in cottons. Side 1 has been made in 4 squares each consisting of different sized strips and rectangles. With side 2 there appears to have been 2 stages as if the quilt was extended perhaps to match side 1. It is also squares, rectangles and strips. Sparsley machine quilted. There is no binding but side 2 has been turned over to side 1 and stitched by machine.
1525 x 1525mm
Annette Gero
The top is mainly squares of flannel machined together with patches of dress materials stitched randomly on top. There is no padding and the backing is calico. The top and backing are held together by a binding only. It is one of a pair.
2010 x 1680mm
Lorna Calder
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with red cotton damask showing underneath, possibly an earlier backing.
2165 x 2165mm