Quilt No.304ASA - Art Gallery of South Australia

Art Gallery of South Australia
Owner: 
Art Gallery of South Australia
Location: 
SA Adelaide
Maker
Maker: 
Jane Judd
Made in
ENGLAND
Date: 
pre 1850
Description: 
Quilt of cotton and linen fabrics has pots of flowers appliqued on to a cream background with hexagonal 'paths' of a striped fabric in between. The appliqued flowers are in broderie perse - flowers cut from floral patterned fabric. The diamond shapes in between the hexagons have single flowers in broderie perse. Border and backing is 20th century, of mid green cotton. Handsewn,
2230 x 1630mm
History: 

Made by Jane Judd in Great Britain in the early 19th century. The quilt was brought to South Australia in the 19th century by the maker's great grand-daughter Katherine Helroyd, and continued to stay in the family, until donated to the Art Gallery of South Australia, Adelaide, in 1994 by Diana Tostevin.
947A60

Story: 

Jane Judd's husband was taken prisoner during the American Wars of Independence and after his return to England 12 years later she made a patchwork of his shirts and dyed them with saffron. The broderie perse quilt contains early 19th century fabrics, so was either made later in her life, or has had additional fabrics added. The quilt remained in the family of the maker until it was donated to the Art Gallery of South Australia.

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Elsie Roberts
Quilt made of white cotton with a diamond set applique pattern of brown tipped pink dogwood blossoms with green leaves in the centre. Hand appliquéd. The centre is hand quilted with cross hatching and the borders are quilted with feathered cables and circular patterns. Padding is Mountain Mist polyester, the backing is of white cotton. The quilt edges are bound with pink bias binding.
2180 x 1860mm
Sophia Haskas
Wholecloth quilt with one side of blue satin and the other of red cotton or sateen. Overall intricate quilting pattern with each part based on a symbol of Rhodes. On the blue side the quilting stitches outlining the deer have been over embroidered in gold braid. The padding is raw cotton.
2040 x 1750mm
Margaret Eisenhauer
Wholecloth quilt covered with floral cretonne both sides, deep pink and yellow flowers on a cream background. The padding is hessian/jute type bags joined.
One of a pair but the other quilt is larger.
1800 x 900mm