Quilt No.375MR - Max Robertson

Max Robertson
Owner: 
Max Robertson
Location: 
NSW Riverina
Maker
Maker: 
Norman Robertson
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
This traditional Wagga rug is made from 4 jute wheat bags joined lengthwise (upopened) by sewing with a bag needle and twine. It did not have a cover. In the 1950s it was covered with striped cottage twill on both sides. Originally there was no padding and now the bags are the padding.
1950 x 1130mm
History: 

The Wagga Rug was made from 4 wheat bags by Norman Robertson and used on the beds in the family home at Coolamon. Max's daughter-in-law Mary purchased a new sewing machine in the mid 50s and decided to cover the Wagga Rug. She purchased striped cottage twill at Kelly and Cunningham in Wagga Wagga and put a wholecloth cover on it.
This Wagga Rug remains in the family, is valued and was used until about 1995.

Story: 

Norman Robertson worked on properties in the Coolamon district of NSW and also at Pike's flour mill. One of his jobs was sewing up bags of wheat on farms. He made the Wagga Rug to use on beds in the sleepout of the Coolamon house where the family slept summer and winter.
Max, Norman's son, born 1933 worked unloading wheat trucks on a Saturday morning when he was a schoolboy. Max later used the Wagga Rug on his many motor bike trips around Victoria and usually carried it in another wheat bag. In 1960 when Max and Mary were married they took the Wagga Rug (now covered with the twill) in their panel van.
The family still has the old style bag needle that was used in making the Wagga rugs.
[Refer to the excellent photographs in 'Coolamon Through the Eye of the Camera' Max Robertson especially pages 90 and 91, wheat at the railway yards.]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
Christine Taylor
Autograph quilt consisting of 372 x 100mm calico squares with signatures worked in green thread. There is a scalloped border. The backing is green paisley flannelette and the padding is an old twill sheet.
2200 x 1840mm
Ann Kyranis
Traditional Greek quilt. The top is a piece of deep red and gold brocade (in Greek a 'stoffa'). The border and the backing are made from gold brocade woven with a daisy pattern. It is hand quilted in parallel lines.
2150 x 1720mm