Quilt No.375MR - Max Robertson

Max Robertson
Owner: 
Max Robertson
Location: 
NSW Riverina
Maker
Maker: 
Norman Robertson
Made in
AUSTRALIA NSW
Patterms
Wholecloth, Traditional Wagga, Utilitarian, Typically Australian
Date: 
1941 - 1970
Description: 
This traditional Wagga rug is made from 4 jute wheat bags joined lengthwise (upopened) by sewing with a bag needle and twine. It did not have a cover. In the 1950s it was covered with striped cottage twill on both sides. Originally there was no padding and now the bags are the padding.
1950 x 1130mm
History: 

The Wagga Rug was made from 4 wheat bags by Norman Robertson and used on the beds in the family home at Coolamon. Max's daughter-in-law Mary purchased a new sewing machine in the mid 50s and decided to cover the Wagga Rug. She purchased striped cottage twill at Kelly and Cunningham in Wagga Wagga and put a wholecloth cover on it.
This Wagga Rug remains in the family, is valued and was used until about 1995.

Story: 

Norman Robertson worked on properties in the Coolamon district of NSW and also at Pike's flour mill. One of his jobs was sewing up bags of wheat on farms. He made the Wagga Rug to use on beds in the sleepout of the Coolamon house where the family slept summer and winter.
Max, Norman's son, born 1933 worked unloading wheat trucks on a Saturday morning when he was a schoolboy. Max later used the Wagga Rug on his many motor bike trips around Victoria and usually carried it in another wheat bag. In 1960 when Max and Mary were married they took the Wagga Rug (now covered with the twill) in their panel van.
The family still has the old style bag needle that was used in making the Wagga rugs.
[Refer to the excellent photographs in 'Coolamon Through the Eye of the Camera' Max Robertson especially pages 90 and 91, wheat at the railway yards.]

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Bundaberg & District Historical & Museum Soc. Inc.
Quilt No.664BHM - Bundaberg & District Historical & Museum Soc. Inc.
World' quilt of linen squares , autographed, embroidered in stranded cotton and the squares sewn together.
2000 x 2000mm
Embroidered and/or Appliqued, Motifs or Names, Signature, Wholecloth, Typically Australian
Maria Alexakis
Quilt No.1010MA - Maria Alexakis
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.
Wholecloth, Quilting as major design element
Tasmanian Museum and Art Gallery
Quilt No.818TMAG - Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
Patchwork, Mosaic, Typically Australian, Domestic Wagga, Tailors' samples
National Gallery of Australia
Quilt No.971NGA - National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian