Quilt No.389AC - Ann Cuthbert

Ann Cuthbert
Owner: 
Ann Cuthbert
Location: 
NSW Sydney
Maker
Maker: 
Mrs Wight
Made in
USA
Date: 
1881 - 1900
Description: 
Patchwork quilt of hexagons in pattern known as 'Grandmother's flower garden'. All cotton. Rosettes are set in a white 'path' with the centre and first ring in solid colours and the second ring prints. There is a yellow border and an outer border in pink. It is hand pieced and hand quilted. The padding is cotton and the backing is white cotton with 2 border edges in light and dark blue. These borders were originally part of the top. There is an inscription "Dear daughter from Mother".
2390 x 1880mm
History: 

The quilt was made in California, USA, by the owner's great, great, great grandmother whose name was Wight and who had come from the Isle of Wight. It is thought to have been made in 1892 and it passed by maternal descent through the next 5 generations. The surnames of the next 3 generations of women are: Stid (great, great GM), Northam (great GM), Whipple (GM). The quilt then passed to Ann Cuthbert's mother, Elizabeth Whipple (later MacGregor) and then to Ann.
The quilt is not used.

Story: 

There is a history of handwork in the family. The quilt has rarely been used as it was too fragile but Ann Cuthbert recalls it being on her bed as a teenager. Ann came to Australia when she was 10 years old.
It is thought that Mrs. Wight (born 1811) made the quilt for her daughter's birthday.
[Ann Cuthbert requested that the following information be included: The quilt is now with her daughter-in-law (son deceased) in Finland and the address is: Marja Cuthbert, Selininkatn 1 A 13, 33240, Tampere, Finland.]

Surnames are: Wight (seated), Stid, Northam and baby Whipple c.1876
Surnames are: Wight (seated), Stid, Northam and baby Whipple c.1876

Related Quilts:

Sandra Jones
Crazy patchwork quilt in silks and velvets. Centre circle of embroidered flowers and outer border of diamonds in tunbling block pattern. Most pieces have embroidered flowers and all joins are embroidered in fancy stitches. The owner's mother had a pink silk quilted backing and a thick edge cord added to the quilt by Rocke's of Collins street Melbourne c.1960
1620 x 1595mm
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
The Pioneer Women's Hut
Patchwork top with a centre frame of a mauve cross outlined in black within a square bordered with pink. The rest of the top is rectangles and squares in a wide variety of materials. There is no padding. The backing is brown, possibly curtain material.
1910 x 1480mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]