Quilt No.453RCH - Red Cliffs Historical Society

Red Cliffs Historical Society
Owner: 
Red Cliffs Historical Society
Location: 
VIC Northern
Maker
Maker: 
Florence Beaton
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Crazy patchwork quilt pieced from velvets, satins, braids, taffetas, cottons with some decorative stitching. A ruffle and the backing are in ruby red satin. There is a dacron type padding.
1620 x 1200mm
History: 

The quilt was made by Florence Beaton of Sunshine Farm in the 1950s or 1960s. It is now owned by the Red Cliffs Historical Society at Red Cliffs, Victoria. The society also has a fine collection of Florence and Clara's needlework.

Story: 

Florence (Flo) Beaton (born McNabb) 1920-1996 was the daughter of Clara and Frank McNabb who selected block 46 at Carwarp in the harsh mallee country of north western Victoria in 1913. They called it "Sunshine Farm". Florence was one of 4 childrten (3 boys). She recalled* that her Mother Clara once won a nail driving competition, was an expert with a shotgun, worked on the farm driving a team of horses, had a wonderful garden and was a fine needlewoman as was her mother Ellen before her. Flo carried on the needlework tradition of her mother and grandmother and was accomplished in many types of needlework including making quilts. Flo did not have any children.
*Ref: "A Woman's Work" By Florence Beaton. The story of a Mallee farmer's wife from 1913. Published by The Sunnyland Press, Red Cliffs 1985.

Related Quilts:

Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of green moire taffeta. No padding. Backing is green cotton satin curtain lining. There is a matching pillow sham.
2591 x 2540mm
Elsie Shephard
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. The squares average about 27cms. The materials are mainly woollens, fleck tweed, school jumpers, gren check, and chenille and all are from used clothing.
1800 x 1170mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Fran Williams
Frame quilt with the centre frame featuring stars. These are English pieced and then appliqued on to the background using straight stitch on the machine. Borders are squares, rectangles and truangles. Mainly cottons. There is no padding. The backing is an old white bedspread similar to a Marcella.
1900 x 1930mm