Quilt No.456RCH - Red Cliffs Historical Society

Red Cliffs Historical Society
Owner: 
Red Cliffs Historical Society
Location: 
VIC Northern
Maker
Maker: 
Florence Beaton
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
30 squares of machined strips around a small centre square. Each square is light and dark and together they form diagonal light and dark strips across the quilt. Colours are teal, dusty pink, red, dark green, apricot. Materials are cottons, velvets, satins, corduroys and lame. There is a border of regency stripes and the backing is the same material. The padding is probably dacron.
1750 x 1700mm
History: 

The quilt was made by Florence Beaton of Sunshine Farm in the 1950s or 1960s. It is now owned by the Red Cliffs Historical Society at Red Cliffs, Victoria. The society also has a fine collection of Florence and Clara's needlework.

Story: 

Florence (Flo) Beaton (born McNabb) 1920-1996 was the daughter of Clara and Frank McNabb who selected block 46 at Carwarp in the harsh mallee country of north western Victoria in 1913. They called it "Sunshine Farm". Florence was one of 4 childrten (3 boys). She recalled* that her Mother Clara once won a nail driving competition, was an expert with a shotgun, worked on the farm driving a team of horses, had a wonderful garden and was a fine needlewoman as was her mother Ellen before her. Flo carried on the needlework tradition of her mother and grandmother and was accomplished in many types of needlework including making quilts. Flo did not have any children.
[*Ref: "A Woman's Work" By Florence Beaton. The story of a Mallee farmer's wife from 1913. Published by The Sunnyland Press, Red Cliffs 1985.]

Related Quilts:

Josephine Curtis
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
National Trust of Australia (SA)
Hand stitched unfinished crazy quilt with patches placed around a centre hexagon pieced in log cabin type strips. Materials are mainly silks and satins and pieces are mounted on grey cotton material. Seams are overstitched in herringbone stitch. 1520 x 760mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
Friends of the Hawkesbury Art Society
Patchwork Quilt consisting of diamond shapes forming a Tumbling Block pattern. All cotton, mainly patterned pieces, with signs of blotting paper templates. Hand sewn. The outer border of patches consists of off-cuts from nurses' uniforms of the times as 2 of the maker's daughters were nurses. It is thought most other squares were probably from material samples from large city stores such as Anthony Horderns. Backing is red cotton in a paisley design.
2030 x 1890mm