Quilt No.513NHM - Narryna Heritage Museum

Narryna Heritage Museum
Owner: 
Narryna Heritage Museum
Location: 
TAS Hobarty
Maker
Maker: 
Mary Harper
Made in
IRELAND
Patterms
Patchwork, Frame
Date: 
pre 1850
Description: 
The centre rectangle consists of rosettes of hexagons. It is surrounded by borders of hexagon rosettes and squares with one long strip of diamonds. The colours are predominantly pink and fawn. It is hand stitched. In the 1980s the quilt was mended and a calico backing added.
2000 x 1800mm
History: 

The quilt was made by Mary Harper of County Dublin, Ireland c.1830 for her trousseau. In 1851 Mary and David and their 2 children came to Van Diemen's Land and settled in Fingal. The quilt remained in the family but was not specifically handed down from one generation to the next. In 1955 it was donated to the Narryna Heritage Museum by the Misses Pat and Etta Weetman great grand-daughters of Mary Harper. The quilt is displayed in a wall cabinet at the Museum

Story: 

Mary Gall (?-1878) came from Dublin and probably met her future Scottish husband, David Harper, when she was staying in Scotland in 1833. They were married in 1837 at Dunboune near Dublin and had 2 children, Alexander born in 1837 and Rosa in 1839. In 1851 the family came to Van Diemen's Land where David was steward or manager to William Talbot at Fingal. He later took over the flour mill at Millbrook, Mt. Nicholas. Rosa, the donor's maternal grand-mother married John Stanfield of 'Speyside' Fingal in 1866. Rosa and John's daughter, Rosetta Mary was born in 1867 and Mary Margaret in 1869. John Stanfield's diary of 1870 refers to domestic details such as "Rosa papering the dining room today" and "Mary walked for the first time".
Rosa's elder daughter did not marry but Mary married Percy Weetman in 1905 and their 2 daughters, Mary Patricia b.1906 and Rosetta (Etta) b.1910 were the donors of the quilt to the Narryna Heritage Centre c.1955.*
[Ref: Compilation by Anne Piesse, Hobart, 1985 from notes, letters and interviews with Etta Weetman]

Related Quilts:

The Queensland Women's Historical Assoc.
Quilt No.100QWH - The Queensland Women's Historical Assoc.
Cotton quilt , octagons of printed floral joined with squares of printed and plain. Yellow floral border. Cotton backing with very intrictae pattern in machine stitching.
2540 x 2490mm
Patchwork, Mosaic
Kristine Gray
Quilt No.546KG - Kristine Gray
Double sided quilt. One side is frame with borders of wool rectangles mainly offcuts of men's suiting from tailors' shops. The other side is mainly flannelette in stripes and patterns similar to pyjama material. The padding is pieced patches of worn jumpers that were too matted to be unpicked. Machine construction.
1700 x 1490mm
Patchwork, Pieced Random, Typically Australian, Re-used clothing or blanket
Rozanne Andrew
Quilt No.222RA - Rozanne Andrew
Patchwork crazy quilt of late 40s and early 50s. Pieces are from curtains, tablecloth,other kitchen type fabrics in cotton, seersucker and linen. Colours are mainly reds, greens, blues, and pastels, in prints and plain. Herringbone stitch is worked around the edge of each patch. No filling. The backing is calico with one edge in a piece of coloured cotton from the front; the calico was a little small for the top.
2020 x 1400mm
Patchwork, Pieced Random, Crazy
Charlotte Nattey
Quilt No.786CN - Charlotte Nattey
Cotton quilt of pieced hexagons and some diamonds made for a baby's basket. Colours are mainly blue and pink and two 'Punch and Judy's' are appliqued in the centre. There is no padding and the backing is a cotton floral in blues and greens.
760 x 660mm
Patchwork, Mosaic, Hexagon
N.S.W. Parks and Wildlife Service
Quilt No.562NPW - N.S.W. Parks and Wildlife Service
Crazy patchwork on to foundation material with the edges of the pieces turned under and machined. It is not quilted. A 25mm red binding has been machined on. There is no padding. The backing is red wholecloth cotton.
1940 x 1540mm
Patchwork, Pieced Random, Crazy
Robyn Gallaway
Quilt No.479RG - Robyn Gallaway
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.
Patchwork, Mosaic, Square