Quilt No.513NHM - Narryna Heritage Museum

Narryna Heritage Museum
Owner: 
Narryna Heritage Museum
Location: 
TAS Hobarty
Maker
Maker: 
Mary Harper
Made in
IRELAND
Date: 
pre 1850
Description: 
The centre rectangle consists of rosettes of hexagons. It is surrounded by borders of hexagon rosettes and squares with one long strip of diamonds. The colours are predominantly pink and fawn. It is hand stitched. In the 1980s the quilt was mended and a calico backing added.
2000 x 1800mm
History: 

The quilt was made by Mary Harper of County Dublin, Ireland c.1830 for her trousseau. In 1851 Mary and David and their 2 children came to Van Diemen's Land and settled in Fingal. The quilt remained in the family but was not specifically handed down from one generation to the next. In 1955 it was donated to the Narryna Heritage Museum by the Misses Pat and Etta Weetman great grand-daughters of Mary Harper. The quilt is displayed in a wall cabinet at the Museum

Story: 

Mary Gall (?-1878) came from Dublin and probably met her future Scottish husband, David Harper, when she was staying in Scotland in 1833. They were married in 1837 at Dunboune near Dublin and had 2 children, Alexander born in 1837 and Rosa in 1839. In 1851 the family came to Van Diemen's Land where David was steward or manager to William Talbot at Fingal. He later took over the flour mill at Millbrook, Mt. Nicholas. Rosa, the donor's maternal grand-mother married John Stanfield of 'Speyside' Fingal in 1866. Rosa and John's daughter, Rosetta Mary was born in 1867 and Mary Margaret in 1869. John Stanfield's diary of 1870 refers to domestic details such as "Rosa papering the dining room today" and "Mary walked for the first time".
Rosa's elder daughter did not marry but Mary married Percy Weetman in 1905 and their 2 daughters, Mary Patricia b.1906 and Rosetta (Etta) b.1910 were the donors of the quilt to the Narryna Heritage Centre c.1955.*
[Ref: Compilation by Anne Piesse, Hobart, 1985 from notes, letters and interviews with Etta Weetman]

Related Quilts:

The Pioneer Women's Hut
Machine constructed log cabin quilt using a wide variety of strips of used clothing including cottons, men's suitings and wools. Each square is about 250mm and arranged in the 'light and dark of the fire' variation of log cabin. There is no padding. The backing is brown twill with an orange pattern and is probably a replacement backing.
2180 x 1710mm
N.S.W. Parks and Wildlife Service
The top has a segmented circle in the centre surrounded by a border of small rectangles. The circle is featherstitched on to the background. Materials are wools and cottons and it is hand pieced. The other side appears to have been originally men's suiting materials strip pieced. It is now covered with a children's print in light cotton joined in long rectangles. The padding is coarse heavyweight cotton.
1410 x 1080mm
National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.
Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
Barbara Levy
"The quilt is made up of many cotton hexagons of various colours, patterns and designs, finely sewn by hand, making a very attractive bedspread. Each patch is lined with lawn. It is quite a heavy quilt, with its plain border, and backing of home-spun cotton or cesarine. The family always called it a 'cottage design'."
No quilting.
2312 x 1905mm
Robyn Gallaway
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.