Quilt No.513NHM - Narryna Heritage Museum

Narryna Heritage Museum
Owner: 
Narryna Heritage Museum
Location: 
TAS Hobarty
Maker
Maker: 
Mary Harper
Made in
IRELAND
Date: 
pre 1850
Description: 
The centre rectangle consists of rosettes of hexagons. It is surrounded by borders of hexagon rosettes and squares with one long strip of diamonds. The colours are predominantly pink and fawn. It is hand stitched. In the 1980s the quilt was mended and a calico backing added.
2000 x 1800mm
History: 

The quilt was made by Mary Harper of County Dublin, Ireland c.1830 for her trousseau. In 1851 Mary and David and their 2 children came to Van Diemen's Land and settled in Fingal. The quilt remained in the family but was not specifically handed down from one generation to the next. In 1955 it was donated to the Narryna Heritage Museum by the Misses Pat and Etta Weetman great grand-daughters of Mary Harper. The quilt is displayed in a wall cabinet at the Museum

Story: 

Mary Gall (?-1878) came from Dublin and probably met her future Scottish husband, David Harper, when she was staying in Scotland in 1833. They were married in 1837 at Dunboune near Dublin and had 2 children, Alexander born in 1837 and Rosa in 1839. In 1851 the family came to Van Diemen's Land where David was steward or manager to William Talbot at Fingal. He later took over the flour mill at Millbrook, Mt. Nicholas. Rosa, the donor's maternal grand-mother married John Stanfield of 'Speyside' Fingal in 1866. Rosa and John's daughter, Rosetta Mary was born in 1867 and Mary Margaret in 1869. John Stanfield's diary of 1870 refers to domestic details such as "Rosa papering the dining room today" and "Mary walked for the first time".
Rosa's elder daughter did not marry but Mary married Percy Weetman in 1905 and their 2 daughters, Mary Patricia b.1906 and Rosetta (Etta) b.1910 were the donors of the quilt to the Narryna Heritage Centre c.1955.*
[Ref: Compilation by Anne Piesse, Hobart, 1985 from notes, letters and interviews with Etta Weetman]

Related Quilts:

Kapunda Historical Society
Patchwork quilt made from cotton fabrics in stripes, small prints, and plains. Centre block is pieced red and white triangles within a blue and white striped frame, with a row above and below of triangles in a flying geese pattern. Two rows of triangles in the flying geese pattern are on either side the full length of the quilt. Quilt is bordered with red cotton. Colours are red, white, pink, blue and yellow. Padding is probably a woollen blanket, the backing is linen. Closely quilted all over.
2180 x 1930mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Annette Gero
This quilt is of hand pieced hexagons randomly placed and stitched on to a linen backing. They are mainly dress fabrics and chintz with some hexagon flowers in the centre and corners in broderie perse. There is no padding.
2600 x 2600mm
National Trust of Australia (NSW)
Utility quilt hand and machine sewn. The top has a centre frame of hand sewn hexagonal patches in a mix of dress materials and shirtings with four corner flowers and a roughly circular ring in red and blue stripe. The inner border has rectangular pieces in red/yellow/green/white hexagon printed material alternating with a blue/white spot. The outer border consists of large pieces of material, predominantly pink and blue stripes and checks. The backing is mainly red/white printed cotton. It is quilted all over in a diamond pattern. The padding is mainly flannel and has been made from another quilt.
1975 x 1675mm
Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
Charlotte Nattey
Cotton quilt of pieced hexagons and some diamonds made for a baby's basket. Colours are mainly blue and pink and two 'Punch and Judy's' are appliqued in the centre. There is no padding and the backing is a cotton floral in blues and greens.
760 x 660mm