Quilt No.3GW - Gladys V. Williams

Gladys V. Williams
Owner: 
Gladys V. Williams
Location: 
NSW Riverina
Maker
Maker: 
Gladys Williams
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Grandmother's Flower Garden, also known as French Bouquet. The quilt comprises 181 flowers. No padding is used. Each flower has seven hexagonal patches, cut from a metal template pattern. Floral and plain silk materials are used and mounted on pale blue moire taffeta.
3050 x 2031mm
History: 

Made by Gladys V. Williams who started the patchwork in 1937. The quilt completed in 1957. It won second prize in the Royal Sydney Show 1958, first prize Albury Spring Show 1958. The quilt is in regular use in summer months.

Story: 

"This quilt in the beginning was to be a cushion. I was visiting my parents in Launceston, Tasmania, Christmas 1936, when I acquired the first offcuts from my sister, who was a dressmaker, & was making Evening Gowns at the time.
We had two small sons, who were both asthmatics, and it was necessary to spend a lot of time with them. Our mother was an expert needlewoman and had passed on the interest to her daughters. From her Craft Books I became interested in Patchwork.
However, progress was slow and also there was the chase for the off cuts from different sources. When there was enough flowers for a cushion, I had the 'Bug' and kept on.
In 1939 the Second World War began and my husband enlisted in 1941. Before my marriage I was with the Commonwealth Public Service and was called back to work for War Years. So everything was packed away and stored.
The two boys were at school and as you may guess there was not very much spare time.
My husband was discharged September 1945 with War Disabilities, after service in the Middle East & Northern Aust. He took over the management of the family business, with which I was also involved. In 1948 a third son was born and it wasn't until the 1950's that I started up the Patchwork again.
The quilt was finally finished at the end of 1957. I have to thank my sister and many friends for the scraps of beautiful fabrics they collected for me.
I enjoy all kinds of needlework. At present I'm working on Textured Tapestry, using many of the 100 or so different stitches that are available. However, my real love is Hand Knitting and I always have a piece of knitting on the needles."
[Gladys Williams, NSW, 30.1.96]

Related Quilts:

National Trust of Australia (VIC)
Double sided patchwork quilt. One side has small 'Tumbling Block' pattern. The other side has larger pattern of pieced stars. It is made of silks, some printed, some solid colours mainly blues, greens cream and black. There is no padding.
2100 x 1800mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
Irma Whitford
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