Quilt No.536KBS - Kay Bruce-Smith

Owner: 
Kay Bruce-Smith
Location: 
NSW Sydney
Maker
Maker: 
Margaret Dickson
Made in
IRELAND
Date: 
1881 - 1900
Description: 
Quilt top. One of a pair. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1160 x 1100mm
History: 

The quilt top is one of two believed to have belonged to Margaret Dickson in Donegal Northern Ireland and to have been made by her before 1900. They came to Australia as part of her chattels about 1910. In 1977 a descendant died and the quilt tops were found in the trunks in which they came out from Ireland. They came into the possession of the present owner's mother and father- in- law and then to Kay Bruce-Smith who owns them now.

Story: 

"These quilt tops came to Australia in approximately 1910 as part of the chattels of one, Margaret Dickson (nee McLean). Margaret's father had gone to Northern Ireland from Garamore in Scotland. Garamore is south of Glasgow. Her father was an Orangeman and so too was her husband. Margaret and her husband lived in a little thatched cottage on their farm with their two children Annie Kyle and David Charles Dickson. Margaret was widowed after her husband answered a knock at the door. He was cruelly murdered in front of his wife and children, when an ignited stick of gelignite was dropped down his shirt front. Her husband's father had left a will that disinherited Margaret should she remarry. However, Margaret did not receive any inheritance even though she did not remarry. She and the children were left destitute upon the death of her husband.
Margaret's elder brother, John Robert McLean, immigrated to Australia sailing before the mast. He was only 12 years old. He made a life for himself in Australia. He rose from nothing to become a very wealthy businessman. He was involved in with McKay Massey Harrison the farm machinery manufacturers. J.R.McLean brought the destitute Margaret and her children to Australia from Ireland. On their arrival he purchased a house for them at 25 Arlington Street, Fivedock.
Annie did not marry. She lived the rest of her life with her mother and David at the above address. She and her mother were born needlewomen, probably out of necessity, and made all their clothing. They did not enjoy their life in Australia and forever held the desire to return to Ireland.
When David was old enough to work, his uncle arranged for employment in the company business. David grew to be a very handsome young man. However, his uncle forbade him to marry as it would impair his ability to care for his mother and sister. He also had to repay his uncle for the purchase of the family's home.
When David was admitted to a nursing home in 1977, the two quilt tops were discovered in the trunks in which they had travelled from Ireland, all those years before. They then came into the possession of my mother and father-in-law. My father in law is is John Wilson McLean, who is David Dickson's first cousin once removed. My mother in law knew of my interest in patchwork and quilting. Earlier this year she asked if I would be interested in two scrap quilt tops. She felt they were in poor condition and considered discarding them
I accepted the two quilt tops with delight and felt honoured to be entrusted with this small piece of history."
[Extract from family history. Kay Bruce-Smith 27.8.98]

Related Quilts:

Alyce Wright
Cotton scrap quilt in a pattern known as 'Grandmothers Fan'. It is hand quilted. The padding is hand carded cotton and the backing is muslin.
2235 x 1880mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm
Jindera Pioneer Museum
Quilt made of 26 x 13 rectangles of woollen men's suiting samples. Each rectangle is about 70 x 130 mm. Wide variety of patterns, mainly stripes, and colous. The padding is part of a worn cream blanket and joined pieces of woollen clothing. The backing is a well worn piece of brushed cotton. Machine made.
11900 x 1870 mm
Fleur Margaret Lehane
Unfinished cotton frame quilt. The centre square is 4 triangles and this is surrounded by a border of smaller triangles. Most of the other borders are of triangles in a wide variety of materials, printed and plain.
2286 x 1829mm
Margaret Perrott
Cotton quilt top in patter, the owner calls 'Tumblers'. Approximately 590 pieces, with one exception, all different patterns and colours. 2181 x 1980
Marie Pye
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm