Quilt No.538WH - Wendy Hunter
Owner:
Wendy Hunter
Location:
NSW Sydney
Maker
Maker:
Gwendoline Mary Harrison
Made in
AUSTRALIA
Patterms
Date:
1921 - 1940
Description:
Crazy quilt with one large panel. Materials include wools, velvets, silks and crepes. Each piece embroidered in herrigbone stitch to the adjoining piece. 25mm blue border chain stitched on, then 75mm border of black wool crepe with a crocheted edge. The padding is an old blanket and the backing is red/brown printed cotton.
1730 x 1040mm
1730 x 1040mm
History:
The quilt was made by Gwendoline Mary Harrison 1895-1968 who was married to Archibald Alexander Johnston. It was probably made in the 1930s. It was then owned by Nellie Bischoff and now by Wendy Hunter her niece. It is not used.
Story:
"A family story handed down for many years tells: Gwen made many crazy quilts and gave them to the Red Cross. One quilt ended up in a hospital in England on the bed of a soldier of the 1st world war.
Queen Mary on touring the hospital admired the quilt and asked to have one. When the Red Cross approached Gwen her answer was - no. I make for the poor not the rich."
[Wendy Hunter 29.8.98]
Related Quilts:
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
2040 x 1800mm
Double sided quilt with both sides based on a central frame. One side has centre panel of darks surrounding 4 patch of the same print in different colourways. This is surrounded by borders of rectanglesis small prints, checks and stripes. The outer border is men's suitings. The other side has a centre frame similar to the 'Broken Dushes' pattern surrounded by wide borders in solid colours, paisley and fine checks. There is a dark strip across the top and bottom. It is roughly machine quilted.
1770 x 1380mm
1770 x 1380mm
Log cabin pattern, each block dark and light strips. 4 blocks joined with dark strips to centre to make larger block. 30 large blocks and 2 sides with half blocks. Each block is machined on to calico. Materials include velvets, corduroys, interlock, taffetas and silver lame. There is a 170mm bottle green border and a single piece of mid brown synthetic for the backing. The padding is probably dacron.
2400 x 2100mm
2400 x 2100mm
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
1508 x 940mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm