Quilt No.53RO - Robyn Oliver

Robyn Oliver
Owner: 
Robyn Oliver
Location: 
NSW South East
Maker
Maker: 
Unknown
Made in
ITALY
Date: 
Unknown
Description: 
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
History: 

Purchased from the estate of Erice Zilliotto (born Barratto) Griffith NSW by the present owner.

Story: 

"Located on the user's bed when I first visited the house on behalf of Pioneer Park ���.. Not recognised as a handmade item while the owner's sister was visiting from Sweden, so no questions asked directly about the quilt. Was to have been acquired for Pioneer Park, but step daughters decided to donate their mother's quilt which was better provenanced. I assume this quilt has a similar background to other North Italian quilts referred to �" [Robyn Oliver]
Erice Zilliotto (nee Baratto) was born in 1913 in Cavaso, Treviso, Italy. She could machine knit by the time she was 11. Later she moved to Rome where she had a machine knitting business at home, employing 2 - 3 girls. She knitted for nuns at the Vatican. Around 1962 she came to Australia on holiday, met her husband in Wollongong, and they moved to Griffith. There she did knitting by private order, and produced some fine courtelle suits and dresses. Her mother, born in 1893, was a machine knitter. Her sister Bianca also learned to machine knit, not at home, but from the monastery.
[From notes supplied by Robyn Oliver 1998]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Christine Taylor
Autograph quilt consisting of 372 x 100mm calico squares with signatures worked in green thread. There is a scalloped border. The backing is green paisley flannelette and the padding is an old twill sheet.
2200 x 1840mm
Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm