Quilt No.53RO - Robyn Oliver

Robyn Oliver
Owner: 
Robyn Oliver
Location: 
NSW South East
Maker
Maker: 
Unknown
Made in
ITALY
Date: 
Unknown
Description: 
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
History: 

Purchased from the estate of Erice Zilliotto (born Barratto) Griffith NSW by the present owner.

Story: 

"Located on the user's bed when I first visited the house on behalf of Pioneer Park ���.. Not recognised as a handmade item while the owner's sister was visiting from Sweden, so no questions asked directly about the quilt. Was to have been acquired for Pioneer Park, but step daughters decided to donate their mother's quilt which was better provenanced. I assume this quilt has a similar background to other North Italian quilts referred to �" [Robyn Oliver]
Erice Zilliotto (nee Baratto) was born in 1913 in Cavaso, Treviso, Italy. She could machine knit by the time she was 11. Later she moved to Rome where she had a machine knitting business at home, employing 2 - 3 girls. She knitted for nuns at the Vatican. Around 1962 she came to Australia on holiday, met her husband in Wollongong, and they moved to Griffith. There she did knitting by private order, and produced some fine courtelle suits and dresses. Her mother, born in 1893, was a machine knitter. Her sister Bianca also learned to machine knit, not at home, but from the monastery.
[From notes supplied by Robyn Oliver 1998]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Ann Kyranis
Traditional Greek quilt. The top is a piece of deep red and gold brocade (in Greek a 'stoffa'). The border and the backing are made from gold brocade woven with a daisy pattern. It is hand quilted in parallel lines.
2150 x 1720mm
National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Dorothy Stevens
Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm
June Brown
Reversible wholecloth quilt of floral cotton material with a sateen finish. Machine quilting in rows holds the layers together. Padding appears to be an old blanket, cream wool with grey and pink stripes.
1950 x 1850mm