Quilt No.973NGA - National Gallery of Australia

Owner:

National Gallery of Australia

Location:

ACT

Maker

Maker:

Mary Hannaford

Made in

AUSTRALIA NSW

Patterms

Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian

Date:

1921 - 1940

Description:

" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket...

History:

The quilt was made by Mary Jane Hannaford about 1922 at Blanford, near Murrurundi, New South Wales.
"There are seven known quilts initialled 'M.J.H.' five of which are owned by the National Gallery of Australia. Mary Jane's great granddaughter, Miss Joan Swanson, New South Wales donated this quilt to the National Gallery of Australia in 1997." [NGA]

Story:

"Mary Jane Hannaford was born in Devonshire, England in 1840. She came to Australia on board the 'London', arriving in Sydney in March 1842. The family moved to Tamworth after the Australian Agricultural Company contracted her Father as shepherd. Her father died in 1852, when Mary was 12. Her Mother remarried 2 years later and they moved to Blanford near Murrurundi, New South Wales. Mary Jane lived with her parents until they died and continued to live with her brother on the farm 'Balmoral'. She never married, but had a daughter, Emily Agnes Hannaford who married George Cady in 1887. Mary Jane died in Blanford in 1930." [NGA]

Related Quilts:

Quilt No.1016YH - Yvonne Hamdorf

Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.

Wholecloth, Quilting as major design element

Quilt No.1005JT - John Tomkin

Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.

Wholecloth, Embroidered and/or Appliqued

Quilt No.958NGA - National Gallery of Australia

"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm

Frame, Motifs or Names, Patchwork, Typically Australian

Quilt No.979NGA - National Gallery of Australia

" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm

Patchwork, Mosaic, Rectangle, Typically Australian, Tailors' samples

Quilt No.725CK - Christina Kazaglis

Wholecloth quilt with one side blue satin with a red satin border and the reverse side wholecloth floral cotton. The quilting is parallel lines and squares. It is all hand stitched. The padding is raw cotton.
1740 x 1240mm

Wholecloth, Quilting as major design element, Greek

Quilt No.88DS - Dorothy Stevens

Utilitarian quilt. Padding consists of recycled hand knitted jumper pieces (mainly 3 ply crepe and 8 ply) tacked to a layer of cotton material with strong buttonhole twist thread. The top is a piece of cotton fabric. Machine quilted in rows approximately 70mm apart.
1827 x 1423mm

Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian

Search form

Quilt No.973NGA - National Gallery of Australia

Related Quilts: