Quilt No.54RO - Robyn Oliver

Robyn Oliver
Owner: 
Robyn Oliver
Location: 
NSW South East
Maker
Maker: 
Unknown
Made in
ITALY
Date: 
Unknown
Description: 
Wholecloth quilt, brown (tan) sateen both sides. Edges turned in and finished with fine running stitch. Hand quilted, simple cross hatched design with two linear borders. Has had flower shaped hole cut from the centre of one side. 5cm thick.
2290 x 1350mm
History: 

Purchased from the estate of Erice Zilliotto (nee Barratto) Griffith NSW by the present owner.

Story: 

Erice Zilliotto (nee Baratto) was born in 1913 in Cavaso, Treviso, Italy. She could machine knit by the time she was 11. Later she moved to Rome where she had a machine knitting business at home, employing 2 - 3 girls. She knitted for nuns at the Vatican. Around 1962 she came to Australia on holiday, met her husband in Wollongong, and they moved to Griffith. There she did knitting by private order, and produced some fine courtelle suits and dresses. Her mother, born in 1893, was also a machine knitter. Her sister Bianca also learned to machine knit, not at home, but from the monastery.
Angela and Erice Zilliotto were the first and second wives of the same man. They came from the same town in Italy and their quilts were found in the same house in Griffith.
[Robyn Oliver 1998]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
June Brown
Rectangular cot quilt of green floral cretonne with pleated frill. Machine made. The backing is the same material. It is tied not quilted. The padding is old woollen jumpers.
1050 x 610mm
June Brown
Wholecloth quilt made from rayon/damask style fabric golden brown in colour with a raised stylised floral motif. Quilted to the self pattern of the fabric. Hand quilted, backing is of gold coloured fabric.
Cotton wadding showing through worn areas.
1810 x 1250mm