Quilt No.573JT - Jillian Towers

Jillian Towers
Owner: 
Jillian Towers
Location: 
VIC Melbourne
Maker
Maker: 
Una Kerr
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Wool quilt with central check, pieced,tied, frame. Irregular hand pieced borders to frame.There is no padding. The backing is white huckaback, perhaps an old bedspread, with a pieced border down two sides where the quilt has been folded back
1920 x 1340mm
History: 

The quilt was made by Una Kerr in Melbourne c.1960. She gave it to her friend Jillian Towers. It is generally not used now "except for short periods of display and admiration".[J.T.]

Story: 

" Una Kerr was born in Rochdale, England in approximately 1922. She became an orphan as a very young child and went with her two older sisters, to an orphanage in Kendal in the Lake District. The girls were trained in domestic duties and at the age of about sixteen, Una found a position in a large private home in the district.
She remained in domestic service until the outbreak of World War II, when she joined the Royal Women's Air Force. She remained in the airforce until demobilisation after the war ended and returned to domestic service.
About 1953 she applied for immigration to Australia, (at the cost of 10 pounds) and settled in Melbourne, still occupied in domestic service to earn her living.
It is about this time she met the family of the current owner of the quilts and became a close friend.
The owner of the qults remembers as a child watching and learning from Una as she performed many needlework projects including rug making, embroidery, and tapestry. She also made many of her own clothes. All her sewing was by hand as she did not own a sewing machine, nor did she want one.
Una never married. Until she could afford to purchase her own villa unit Una lived in a small caravan and whilst there, for practical purposes, made these quilts from scraps of fabric collected from various sources. The quilts were used for bed warmth.
Una died suddenly in 1995 whilst still leading an energetic and active life pursuing her interests in sketching, photogggraphy, walking and love of nature."
[Jillian Towers 12.7.99]

Una Kerr
Una Kerr

Related Quilts:

Red Cliffs Historical Society
Quilt with hexagons forming lozenge or honeycomb pattern. Predominantly greens and pinks in brocatelle (rayon brocade). All hand stitched. The backing is lime green rayon. The padding is probably dacron.
1800 x 1630mm
Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
Mr. K.Green
Crazy patchwork quilt made from silk, cotton and velvet in pastels and rich dark colours with a wide border of dark burgundy silk velvet. Decorative embroidery stitches including straight, herringbone and feather edge each piece. Most pieces have embroidered motifs including crown, flowers, horseshoe and Australian motifs of wattle and emu. Date '1891' worked in cross stitch on one piece. The padding is wool and the backing dark red satin and these are joined by diagonal machine stitching in yellow thread.
1750 x 1100mm
N.S.W. Parks and Wildlife Service
The top has a segmented circle in the centre surrounded by a border of small rectangles. The circle is featherstitched on to the background. Materials are wools and cottons and it is hand pieced. The other side appears to have been originally men's suiting materials strip pieced. It is now covered with a children's print in light cotton joined in long rectangles. The padding is coarse heavyweight cotton.
1410 x 1080mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Kay Bruce-Smith
Quilt top. The centre piece is appliqued with cross strips and triangles with 'Chester 4 �.' printed on a centre blue strip. The last letters are difficult to read. The borders are triangles, rectangles and squares in cottons (including dimity) and some chenilles.
1860 x 1760mm