Quilt No.60MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Patchwork quilt of pieced repeat blocks in cotton in white, blue, green, orange and red prints, plains and checks. Blocks are set between green sashes with white corner blocks. The pattern is 'Saw Tooth Star' or 'Jacob's Ladder' variation. Backing is of cotton, padding of cotton. Hand sewn and hand quilted.
2058 x 1296mm
History: 

Made by Eva Leota Towe, in southern California, USA Mare Carter[Mary] grand-daughter of Eva and present owner of the quilt, was born in California in 1930 and moved to Australia in 1950. "Grandmother passed away in 1953. In 1960 my Mother brought me Grandmother's legacy, her hand-works including the quilts. They were used frequently as family quilts for many years and now occasionally". Mare has registered a collection of 15 of her grandmother's quilts.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Leota Towe c 1940
Eva Leota Towe c 1940

Related Quilts:

National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
National Trust of Australia (VIC)
Hand stitched silk quilt in mosaic patchwork based on triangles. Pieces include dress materials and some embroidered linings fom men's waist coats. Paper templates. The backing is cotton.
2200 x 2000mm
Rhona Dunwoodie
Block pattern consisting of a circle, hexagon and circle within a square. Cotton dressmaking fabrics with a few plain creams. Hand pieced and hand quilted. At some stage has been machine reinforced. Now faded, worn and damaged especially one end. Quilting pattern is four leaf clover inside large cable. The backing is 4 different pink toned fabrics in longitudinal stripes. Cotton batting. 2620 x 2300mm
Mare Carter
Friendship Quilt'. All cotton with thick cotton padding. Each of the large panels of patchwork is different and many are signed by the makers who belonged to the Rebecca Lodge in Linwood California. Dates on the squares with signatures are 1933. Wide variety of colours and patterned and plain fabrics. The quilt is now in 2 pieces.
1981 x 1727mm
The Pioneer Women's Hut
Cotton quilt in pattern commonly known as "Double Wedding Ring'. Probably an American McCall's pattern. Hand stitched, florals, checks and plain pieces. The backing is pink cotton. Scalloped edge.
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Gladys V. Williams
Grandmother's Flower Garden, also known as French Bouquet. The quilt comprises 181 flowers. No padding is used. Each flower has seven hexagonal patches, cut from a metal template pattern. Floral and plain silk materials are used and mounted on pale blue moire taffeta.
3050 x 2031mm