Quilt No.652NG - Norma Gilchrist
Owner:
Norma Gilchrist
Location:
NSW Riverina
Maker
Maker:
Esther Anne Henley
Made in
AUSTRALIA NSW
Date:
1921 - 1940
Description:
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
History:
This quilt was made by Esther Anne Henley in Temora NSW c.1930. It was made for her grand-daughter Norma (later Gilchrist) or her grandson Ken or both. It is owned by Norma who used it for her children but put it away about 1966 when it showed signs of wear.
Story:
Esther Anne Henley (1863-1939) was Norma Gilchrist's maternal grandmother. She and her husband Benjamin came from South Australia to the town of Temora NSW about 1927 where Benjamin practised his trade as a carpenter. They had 13 children. 2 of the boys drowned together in a creek in South Australia and the other children were adults when the move to Temora was made.
Norma, the present owner, recalled her mother telling her the birds were a series in the Weekly Times and that Esther's brother Les had traced them for her.
Esther Anne Henley, seated, c.1930
Related Quilts:
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
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2490 x 1803mm
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1550 x 1435mm
1550 x 1435mm
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1780 x 1700mm
1780 x 1700mm
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2550 x 1870mm
2550 x 1870mm
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2650 x 2475 mm
2650 x 2475 mm