Quilt No.652NG - Norma Gilchrist

Norma Gilchrist
Owner: 
Norma Gilchrist
Location: 
NSW Riverina
Maker
Maker: 
Esther Anne Henley
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Cotton cot quilt in checkerboard pattern. 30 squares each 180mm machined together. Alternate squares have Australian birds fancyworked in stem stitch and chain stitch using 2 threads of coloured stranded cotton. Alternate squares are plain royal blue and there is a royal blue border 120mm wide. The backing is the same royal blue cotton.
1340 x 1070mm
This is an Adelaide Chronicle pattern reprinted in 'The Weekly Times'.
History: 

This quilt was made by Esther Anne Henley in Temora NSW c.1930. It was made for her grand-daughter Norma (later Gilchrist) or her grandson Ken or both. It is owned by Norma who used it for her children but put it away about 1966 when it showed signs of wear.

Story: 

Esther Anne Henley (1863-1939) was Norma Gilchrist's maternal grandmother. She and her husband Benjamin came from South Australia to the town of Temora NSW about 1927 where Benjamin practised his trade as a carpenter. They had 13 children. 2 of the boys drowned together in a creek in South Australia and the other children were adults when the move to Temora was made.
Norma, the present owner, recalled her mother telling her the birds were a series in the Weekly Times and that Esther's brother Les had traced them for her.

Esther Anne Henley, seated, c.1930
Esther Anne Henley, seated, c.1930

Related Quilts:

Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
The Queensland Women's Historical Assoc.
Cotton quilt , octagons of printed floral joined with squares of printed and plain. Yellow floral border. Cotton backing with very intrictae pattern in machine stitching.
2540 x 2490mm
Marie Thomas
150mm squares of old material scraps, mostly cotton, including some curtain material. There is no padding and the backing is brown lawn.
2540 x 2370mm
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
Wendy McPhail
Repeat block in Ohio star pattern. Wide border of triangles, pieced blocks and stripes. Stars are in greens, pinks, mauves (all now very faded) and white. Wreath quilting in squares with smaller wreath quilting in triangles. There is padding and the backing is a poly/cotton sheet. 2500 x 2450mm