Quilt No.655SH - Sylvia Haydock

Owner: 
Sylvia Haydock
Location: 
QLD
Maker
Maker: 
Hilda Gibson
Made in
ENGLAND
Date: 
1921 - 1940
Description: 
A Durham quilt. All white mercerised cotton. The quilting is a floral design in each corner, a large floral design in the centre, edging all around of scallops and filled in with small squares on the diagonal. It is padded.
2000 x 2400mm
History: 

This quilt was made by Hilda Gibson (later Hutchison) in County Durham England and brought to Australia in 1926 in her glory box. Hilda died in 1966 and the quilt was bequeathed to her daughter Sylvia Haydock who is the owner. It is not used now.

Story: 

Hilda came to Australia to marry an Australian soldier, a Gallipoli veteran, whom she met in England after the war. They lived on a sheep property in WA, 1927-1956. The quilt was used until Hilda died in 1966 and then used occasionally by her daughter Sylvia. " As I (Sylvia) didn't realise the quilt would ever be of interest to anyone else children were allowed to romp on it quite freely. It has been washed frequently and treated carelessly" [ Sylvia Haydock 16.8.98]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Santa Maltese
A 'foot' quilt, "copri piedi" used on the bed. Pink satin top and blue satin backing. The pink top is hand embroidered in a trellis pattern in shadow stitch and within each section there are hand embroidered sprigs of flowers in silk threads. The whole top is elaborately quilted. The silk cord binding is twisted into four decorative loops at each corner. There is a thick padding of cotton grown locally in Sicily.
1260 x 650mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm