Quilt No.665DC - Diana Cameron
Description:
Cotton quilt of patterned and plain hexagons with central design and borders of hexagons radiating from it. It is hand sewn and most patterns are of roses. Backing is pink sateen and is a replacement backing put on in 1939. Pieced over papers, remnant love letters were found when the new backing was put on.
1981 x 1525mm
1981 x 1525mm
History:
The quilt was hand sewn by Jane Cobbold (Cain) c.1880 at 'Yarra House' in South Yarra, Melbourne and passed to the present owner's great aunt and then to her mother and is now owned by Diana Cameron. It is used occasionally.
Story:
Diana Cameron's grandmother, Jane Cobbold, was born in England and came to Australia as William Cain's bride c.1875. 'Yarra House' in Anderson Street, South Yarra was built by William Cain who was mayor of Melbourne (before it was a city so he was not Lord Mayor) about 1890. It is opposite the Botanic gardens and the Cains entertained lavishly for over a decade. 'Yarra House' is now Merton Hall and part of the Melbourne Church of England Grammar School.
Diana Cameron, the present owner, went to the Goondiwindi district as a young bride and the quilt has always been part of her married life.
[Compiled from notes supplied by the owner]
Related Quilts:
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
2360 x 2230 mm
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
2415 x 2110mm
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]
" Double bed size coverlet made of white cotton 'blue bags' fabric (white cotton squares used to hold a measured amount of blueing agent used to keep linens white during the laundering process). Patches are sewn together in the 'Suffold Puff' style - a circle of fabric is gathered up to make a puff. Patches are joined by a few stitches on four sides. Coverlet is edged with a deep crochet fringe, to a depth of approx. 18cm on all four sides���On lining is written in black ink: 'C.Bleagard Baby Ken'. " [NT NSW]
2570 x 2380mm
2570 x 2380mm