Quilt No.734MF - Maria Finlayson

Maria Finlayson
Owner: 
Maria Finlayson
Location: 
NSW Sydney
Maker
Maker: 
Margaret Smith
Made in
AUSTRALIA Sydney
Date: 
1921 - 1940
Description: 
Crazy patch with frame centre set on point; worked in silks. Surrounding area pieced mainly in velvets and corduroys, with some more silks. A wide border of bright turquoise corduroy. Seams are covered with feather stitch. Quilt includes boy sout badge, union jack badge, Indian type medallion and initials 'IOR' in metallic thread. There is no padding and it is backed with green gingham.
1730 x 1325mm
History: 

The quilt was made by Margaret Smith (1857-1950) probably in Sydney and probably in the 1920s or 1930s. The quilt was owned in the past by Victoria Caines (maker's daughter) then Walter and June Caines (maker's grandson) and now Maria Finlayson, great-grand-daughter of the maker.

Story: 

"My Father (maker's grandson) was in the Boyt Scouts, so I suspect the Scout badge on the quilt was his. Margaret Smith was the generation that was devoted to the royal family and thought of England as the Mother country, though they were born and bred in Australia and had never been there. This could explain the union jack.
She had a hard life. She returned to Australia with her only child (my grandmother) after some time in New Zealand. Her husband was supposed to meet her on the wharf but her didn't show up and was never heard of again. She worked as a cleaner to support herself and her daughter. She was a strict Methodist and a very gentle person. My father had very fond memories of his tiny grandmother."
[Maria Finlayson 28.4.00]

Margaret Smith c.1940
Margaret Smith c.1940

Related Quilts:

Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
Fran Williams
Crazy quilt made from a lot of light wools including gabardine types. Patches are outlined in embroidery stitches and there is additional embroidery on some patches. It is worked in 3 ply wool thought to be Patonyle (early blend of nylon and wool). The backing is a floral print mainly black with a cream flowers, brought to the front as a binding. Occasional stitches holding front to back by way of quilting. There is no padding.
1600 x 2100mm
Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking, joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
Una Braby
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
Virginia Solomon
Log Cabin quilt featuring centre square and 3 outer borders. Evidence of later repairs and additions by machine and hand sewing. There is white paint on it. The log cabin pieces are sewn on to black netting. There is no padding and the backing is a centre piece of gold damask/sateen and green and black sateen borders.
1728 x 1321mm