Quilt No.95YH - Yvonne Hore

Yvonne Hore
Owner: 
Yvonne Hore
Location: 
QLD
Maker
Maker: 
Leticia Turner
Made in
AUSTRALIA QLD
Date: 
1921 - 1940
Description: 
Reversible quilt. Both sides are small squares of cotton scraps mainly left over from children's clothes. Plain and patterned pieces in a wide variety of colours. Hand stitched. Padding is pieced men's clothing, jumpers, cardigans, trousers. The present owner zig zagged over the seams, bound the edges and 'clouted' (her term) it in circles and squares.
2080 x 1570mm
History: 

Leticia Turner, maternal grandmother of the present owner, commenced the quilt. Her daughter, Stella Cant, made the padding from pieces of men's clothing. Letita's grand-daughter,Yvonne Hore, assembled the quilt. It is still used occasionally in the caravan and was used as a floor rug when the children were small.

Story: 

"Circles and Squares"
The quilt was commenced by my grandmother who stitched everything by hand because she never owned a sewing machine.
My grandmother was very poor. Her husband died when my Mother (eldest daughter) was about five years old. My Mother had twin sisters three years younger. There were no pensions in those days and my grandmother (the youngest of eight girls) survived by washing and ironing and rearing state wards.
In later years one of her twin daughters, Rita, purchased an old Century treadle sewing machine and became the local dressmaker. All the left over pieces were used in the quilts.
My Mother was never a sewer, however, she made the backing out of old men's clothes, jumpers, cardigans, trousers etc.
The second world war came and things changed dramatically in our town. An American naval base hospital was set up and many of the local women went to work there.
My grandmother always lived with her younger daughter Rita until she died. My mother lived with me until she died so the quilt came into my hands. Because much of it was hand sewn I zig zagged over the seams and clouted it together (you couldn't call it quilting) in circles and squares. I also squared it up and bound the edges.
�...As you can see no templates were used the squares are quite irregular. It is showing signs of wear.
It is made from bits and pieces of fabric both cotton and woollen - what ever was available at the time."
[Yvonne Hore 1996]

Leticia Turner
Leticia Turner
Stella Cant
Stella Cant
Yvonne Hore
Yvonne Hore

Related Quilts:

The Pioneer Women's Hut
Patchwork quilt made up of 100mm multi coloured squares in a variety of materials including cottons, synthetics, lurex, plain and printed. Each square has dacron padding and is then joined in strips and the strips joined. All hand sewn. The backing is blue synthetic whole cloth 60mm of which is returned to the front to form a border.
1500 x 1200mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.