Quilt No.95YH - Yvonne Hore

Yvonne Hore
Owner: 
Yvonne Hore
Location: 
QLD
Maker
Maker: 
Leticia Turner
Made in
AUSTRALIA QLD
Date: 
1921 - 1940
Description: 
Reversible quilt. Both sides are small squares of cotton scraps mainly left over from children's clothes. Plain and patterned pieces in a wide variety of colours. Hand stitched. Padding is pieced men's clothing, jumpers, cardigans, trousers. The present owner zig zagged over the seams, bound the edges and 'clouted' (her term) it in circles and squares.
2080 x 1570mm
History: 

Leticia Turner, maternal grandmother of the present owner, commenced the quilt. Her daughter, Stella Cant, made the padding from pieces of men's clothing. Letita's grand-daughter,Yvonne Hore, assembled the quilt. It is still used occasionally in the caravan and was used as a floor rug when the children were small.

Story: 

"Circles and Squares"
The quilt was commenced by my grandmother who stitched everything by hand because she never owned a sewing machine.
My grandmother was very poor. Her husband died when my Mother (eldest daughter) was about five years old. My Mother had twin sisters three years younger. There were no pensions in those days and my grandmother (the youngest of eight girls) survived by washing and ironing and rearing state wards.
In later years one of her twin daughters, Rita, purchased an old Century treadle sewing machine and became the local dressmaker. All the left over pieces were used in the quilts.
My Mother was never a sewer, however, she made the backing out of old men's clothes, jumpers, cardigans, trousers etc.
The second world war came and things changed dramatically in our town. An American naval base hospital was set up and many of the local women went to work there.
My grandmother always lived with her younger daughter Rita until she died. My mother lived with me until she died so the quilt came into my hands. Because much of it was hand sewn I zig zagged over the seams and clouted it together (you couldn't call it quilting) in circles and squares. I also squared it up and bound the edges.
�...As you can see no templates were used the squares are quite irregular. It is showing signs of wear.
It is made from bits and pieces of fabric both cotton and woollen - what ever was available at the time."
[Yvonne Hore 1996]

Leticia Turner
Leticia Turner
Stella Cant
Stella Cant
Yvonne Hore
Yvonne Hore

Related Quilts:

Muriel Thompson
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
June Dean
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
The Queensland Women's Historical Assoc.
Frame quilt in cotton with cotton backing. Centre square of floral chintz surrounded by 8 smaller squares with floral and probably Egyptian motifs. 4 surrounding frames of plain and patterned cotton in squares, diamonds and strips. Hand stitched and hand quilted. Has been used as a curtain and has metal rings attached to one edge.
3759 x 2286mm