Quilt No.758PHM - Powerhouse Museum
Owner:
Powerhouse Museum
Location:
NSW Sydney
Maker
Maker:
Caroline Mary West
Made in
AUSTRALIA NSW
Patterms
Date:
1921 - 1940
Description:
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the...
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the...
History:
The quilt was made by Caroline Mary West about 1930 on a property near Trundle NSW in about 1930. It was handed down through the women of the family, to her grandson Mr. Ian Foster of Newport. Ian Foster gave the quilt to the Powerhouse Museum in 1985.
Story:
"The quilt was made by Mrs. Caroline Mary West (nee Bray) in about 1930. Caroline was born on the 14 June 1872 and married a grazier, Everett Pearson West, in 1904. They lived on a property near Trundle, in the centre-west of New South Wales and had six children, four boys and two girls between 1905 and 1915. The quilt is thought to have been made in the 1920s or early 1930s during the Depression. The woollen suiting fabrics used to make the quilt were obtained from Tom Ellis, the local tailor. Caroline Mary West died on 19 March 1947." [PHM]
Related Quilts:
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.
Patchwork top made in the Log Cabin pattern in cotton fabrics, 10 x 10 squares. Hand sewn. Most fabrics are patterned, colours in darks and lights include blues, red and pink, greys, browns. The wide border is made from 3 rows of blunt ended triangles (tumbler), the edge is bound with a narrow strip of patterned grey and white fabric. Each corner of the border has 3 chequered squares set on the diagonal. Hand sewn, the binding is machine sewn. No padding or backing.
2360 x 2340mm
2360 x 2340mm
Crazy patchwork quilt with patches of velvet, satin and silk joined in 12 blocks. Each seam is embroidered and many patches have embroidered flowers. There is a 140mm maroon velvet border. The backing is maroon silk. There is a sachet that belongs with the quilt.
1800 x 1400mm
1800 x 1400mm
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
Cotton frame quilt with a diamond in the centre of the frame and a border of straight pieces. The outer border is diamonds. The quilt is hand sewn and hand quilted.
1910 x 1830mm
1910 x 1830mm
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm