Quilt No.80RB - Rosemary Blake
Owner:
Rosemary Blake
Location:
ACT
Maker
Maker:
Edith Perrott
Made in
AUSTRALIA NSW
Patterms
Date:
1941 - 1970
Description:
The inner part of the quilt is made from potato bags stitched together. These have been covered with a ticking type fabric held to the bags with large stitches using a string type thread. This whole inner layer is covered with muslin, dyed orange. The dye is thought to have been a Dolly dye. The quilt is very heavy. There are small hand stitches in each corner through all layers.
1770 x 1520 mm
1770 x 1520 mm
History:
The quilt was made by Mrs. Edith Perrott for her son Glen and his wife Peggy's marriage in 1943. Peggy later gave it to her daughter Rosemary, grand daughter of the maker. It is used occasionally.
Story:
Mrs. Edith Perrott, born Bartholomew, (1879 - 1970) of Tumbarumba NSW made this quilt for her son Glen and his wife Peggy when they were married in Tumbarumba in 1943. It is similar in construction to a smaller one made 2 years later.
Edith Perrott, 1968
Related Quilts:
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Quilt made of 26 x 13 rectangles of woollen men's suiting samples. Each rectangle is about 70 x 130 mm. Wide variety of patterns, mainly stripes, and colous. The padding is part of a worn cream blanket and joined pieces of woollen clothing. The backing is a well worn piece of brushed cotton. Machine made.
11900 x 1870 mm
11900 x 1870 mm
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
2250 x 2180mm
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
2160 x 1650mm