Quilt No.80RB - Rosemary Blake

Rosemary Blake
Owner: 
Rosemary Blake
Location: 
ACT
Maker
Maker: 
Edith Perrott
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
The inner part of the quilt is made from potato bags stitched together. These have been covered with a ticking type fabric held to the bags with large stitches using a string type thread. This whole inner layer is covered with muslin, dyed orange. The dye is thought to have been a Dolly dye. The quilt is very heavy. There are small hand stitches in each corner through all layers.
1770 x 1520 mm
History: 

The quilt was made by Mrs. Edith Perrott for her son Glen and his wife Peggy's marriage in 1943. Peggy later gave it to her daughter Rosemary, grand daughter of the maker. It is used occasionally.

Story: 

Mrs. Edith Perrott, born Bartholomew, (1879 - 1970) of Tumbarumba NSW made this quilt for her son Glen and his wife Peggy when they were married in Tumbarumba in 1943. It is similar in construction to a smaller one made 2 years later.

Edith Perrott, 1968
Edith Perrott, 1968

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Tasmanian Museum and Art Gallery
Wholecloth cot quilt, reversible, both sides pale pink rayon printed with small bunches of pink roses, blue flowers and green leaves. Outside edge is machine sewn except for opening for filling which is slip stitched. Quilted by hand with large stitches in pink thread along width and length of quilt. The padding is wool.
815 x 570mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Irene Pascoe
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
Alysoun Ryves
Red Applique on an off white background. All applique is by hand using herringbone stitch. Three different red materials are used for the applique each printed with a different tiny all over pattern. There are 3 different applique shapes: the 9 major shapes have 8 points; the daisy pattern has 8 petals; the edge pattern is used along the top, left and half of the bottom edge of the quilt and sometimes has 4 points, sometimes 3 and sometimes 2. There is a tiny red piping around the quilt along the bottom and both sides. It is hand quilted in 100mm long zig zags 12mms apart all over the quilt. The quilt is signed twice on the front, once in ink and once in embroidery. It is signed 'Anna Edwards Jan 1858'. There is no padding and the backing material is similar to the off white background material of the top.
2270 x 2180mm