Quilt No.866AG - Annette Gero

Annette Gero
Owner: 
Annette Gero
Location: 
NSW Sydney
Maker
Maker: 
Lillian Head et al
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Double sided quilt made from mainly rectangular pieces of woollen tailors' samples and suiting materials. It is machine sewn and there is no padding.
1670 x 1220mm
History: 

Made by Lillian Head and her mother and aunts in Sydney c.1930. Now in the collection of Annette Gero.

Story: 

"Lillian Head and her mother and aunts ran a 'sweat shop' in the back of their house in Petersham Sydney, where they stitched up vests (illegally) for extra cash. With the remains and spare suiting they made 'depression' waggas from the tailors' samples and off cuts. These were made together with her mother, grandmother and her aunts from the 1920's through to the 1940's."
" 'The backroom of our house was turned into a sewing room with two sewing machines. We used to go to Blackmore's Tailors near St. Peters (Sydney) and pick up pre-cut men's vests, which we took home to sew. The tailor often gave us swatches and offcuts from which we produced waggas - we gave many away. They were often lined with sugar bags which we got from the grocers. We were making them in 1927 when the Duke and Duchess of York (later King George VI and the present Queen Mother), came to Australia to open Parliament House and I remember taking along a box of swatches to sew whilst waiting to see their carriage pass when they opened the Royal Agricultural Show in Sydney that year.'
After Lillian's marriage in 1940 she continued to make them for her children up till 1947."
[Annette Gero]

Lillian Head
Lillian Head

Related Quilts:

National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
Robyn Gallaway
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.
Glenda Wilkinson
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950 x 790mm
The Pioneer Women's Hut
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1910 x 1480mm