Quilt No.866AG - Annette Gero

Annette Gero
Owner: 
Annette Gero
Location: 
NSW Sydney
Maker
Maker: 
Lillian Head et al
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Double sided quilt made from mainly rectangular pieces of woollen tailors' samples and suiting materials. It is machine sewn and there is no padding.
1670 x 1220mm
History: 

Made by Lillian Head and her mother and aunts in Sydney c.1930. Now in the collection of Annette Gero.

Story: 

"Lillian Head and her mother and aunts ran a 'sweat shop' in the back of their house in Petersham Sydney, where they stitched up vests (illegally) for extra cash. With the remains and spare suiting they made 'depression' waggas from the tailors' samples and off cuts. These were made together with her mother, grandmother and her aunts from the 1920's through to the 1940's."
" 'The backroom of our house was turned into a sewing room with two sewing machines. We used to go to Blackmore's Tailors near St. Peters (Sydney) and pick up pre-cut men's vests, which we took home to sew. The tailor often gave us swatches and offcuts from which we produced waggas - we gave many away. They were often lined with sugar bags which we got from the grocers. We were making them in 1927 when the Duke and Duchess of York (later King George VI and the present Queen Mother), came to Australia to open Parliament House and I remember taking along a box of swatches to sew whilst waiting to see their carriage pass when they opened the Royal Agricultural Show in Sydney that year.'
After Lillian's marriage in 1940 she continued to make them for her children up till 1947."
[Annette Gero]

Lillian Head
Lillian Head

Related Quilts:

Mare Carter
Patchwork quilt, all cotton including cotton padding. Pattern is based on squares and a cross. Variety of fabrics, plain and patterned. Hand stitched and quilted.
2083 x 1626mm
Ruth Collins
Patchwork quilt of rectangular wool and cotton tailors' samples, in browns, greys, navy, black and beige, in plains and patterned weaves. Padding is a woollen blanket, and the backing is a patterned cotton.
1956 x 1702mm
Queen Victoria Museum and Art Gallery
Quilt has a centre panel of white velvet roses and green leaves with embroidered spider webs, on red velvet. Two side panels are in crazy patchwork in plain and patterned silks and velvets. All patches are edged with feather, herringbone or blanket stitch. Many patches are embroidered, including 'Minnie', 'Good Luck', birds, flowers, anchor, boat, fish, shell, spider web, crown,, 2 crossed flags, tennis racquets, Australian motifs including wattle. The centre panel has a row of ruched olive green ribbon each side and the whole quilt has a border of dark blue velvet. The padding is cotton wadding and the backing is cream cotton printed with red and pink chrysanthemums and green leaves.
2113 x 1995mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Anne Gardener
Quilt made from woollen dressmaking scraps, sewn to an army demob issue blanket, grey with blue stripes. Patches are feather stitched in red broder cotton thread. Quilt is edged with red cotton material zig zagged into place. Colours are pink, blue, brown, black and grey, in plain cloth, weaves and checks.
1462 x 966mm
Kristine Gray
Double sided square quilt. One side is a crocheted rug. The centre of this is 4 triangles joined and from this coloured bands in crochet radiate out to the border. The other side is randomly pieced scraps of mainly woollen material in checks, plains and tartans. Machine construction.
1600 x 1600mm