Quilt No.904WA - Win Adcock
Description:
The quilt on longer exists, just the label, but the quilt was squares of flannelette shirt material, velvets and woollen pieces. The backing was calico. The label was sewn to the backing and it reads: 'Red Cross Killarney Manitoba'. It is embroidered in red and is on a white piece of sheeting.
History:
The quilt no longer exists but was made by the women of the Red Cross at Killarney, Manitoba, Canada and sent with other quilts to London for bomb victims. It was given to Mr. And Mrs. Fred Barnes when their house was bombed in 1940. In 1959 their daughter Win Adcock brought the quilt to Australia to Sarina in north Queensland. In the tropical climate the quilt only survived until the 70s except for the label.
Story:
"Sometime between the 16 September and 9th October 1940 our first home was destroyed by a land mine (they floated down by 'parachute'). The blanket was given to my parents after this incident.
The blanket had been well used either on the bed or over us in the air raid shelters. It survived the loss of our second home in Cambridge Grove that night in late 1944��"
[Win Adcock 22.4.99]
Win Adcock with the label 1999
Related Quilts:
Crazy patchwork on to foundation material with the edges of the pieces turned under and machined. It is not quilted. A 25mm red binding has been machined on. There is no padding. The backing is red wholecloth cotton.
1940 x 1540mm
1940 x 1540mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
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1880 x 1850mm
1880 x 1850mm
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11650 x 1130mm
11650 x 1130mm
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2400 x 1500mm
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